Well, holy shitballs, this is an event that I’m pretty excited to stick up today, and one that I cant wait to see (and paint at!!). Another huge production will be going down in Collingwood next week, as the Paterson building gets a huge makeover from over a hundred Melbourne artists, check out the press …
“The Paterson Project will be one of Melbourne’s most exciting and important street art events in 2015. Elite talent from all over Australia will be painting together under one roof to raise money for The Royal Children’s Hospital Foundation with artworks to be auctioned off on the night. Housed inside the ‘Grand Lady’ of Smith Street, the Paterson building’s top three floors will be transformed into one giant canvas for more than 100 artists.
Melbourne is a vibrant and innovative place for street art culture, and events like The Paterson Project continue to promote its presence and notability in the global street art community.
The Paterson is a heritage listed building that is destined to be reincarnated as apartments. The history of the building spans over a century, and for the past forty years has remained a home to artists and musicians. This event will enable the local populace and the street art community to come together and celebrate the history and culture of the Paterson building. The Paterson Project will pay homage to the artistic passage of the site through the creation of new art and give the building the send off it deserves.
We hope you will join us at the Paterson building on the 6th of March to celebrate street art, urban culture and Melbourne’s art community. See some art, have a drink and help us reach our target of $15,000 for The Royal Children’s Hospital Foundation.”
Yeah, its a little sad that this grand old building being redeveloped is yet another sign of an increasingly gentrified Collingwood, but what a way to send it off before its reincarnation as (yet another) apartment block – and dear god, thats a lot of fkn art going up! With all of my favourite artists involved, this whole thing is going to be massively amazing.
So, head down on Friday the 6th March and check it all out – and, while you are there, buy yourself some of the art that will also be created and help raise a bunch of money for charity, there’ll be some amazing pieces coming out of this. See you all there!
Who: ABET, ADNATE, AMAC, ARMED, AWES, BAILER, BURG, BUTTONS, CHEHEHE, CHOQ, CREATURE CREATURE, CRISIS, CRUEL, DEM189, DEST, DONOVAN CHRISTIE, DOSE, DUEL, DUKE STYLE, DVATE, EARS, EEVIEN TAN, ELEVEN, ELLIOT CLAYFIELD, ENDS, FACTER, FENOM, FLETCH CUTS, FRAME, GHETTO, GOODIE, GRIZZLE, GUS, HAHA, HANCOCK, HEESCO, IME, INPAC, ITCH, JAMES MCCULLOUGH, JORZ, JOSH SMITH, KEN TAYLOR, KEO, 23RD KEY, KITTY RITZ, LACHY HAMILTON, LEBOUEF, LING, LOSOP, LUCY LUCY, MAKATRON, MARIAN MACHISMO, MARINE, MAYO, MIKE WATT, MIT, MORDES, MYSTERIOUS AL, NASTE, NICOLE TATTERSALL, OHNOES, ORDER, OTIS CHAMBERLAIN, PHOENIX, PIGEON BOY, PILFER, PLEA, POISE, PORNO, PRESTO, PUTOS, RAD, RASHE, REPEAT, RESUME, REWS, RONE, ROOK REM, RUS KIDD, SABETH, SAM YONG, SCALE, SEAR, SENEKT, 6SETA, SHEM, SHIME, SIRUM, SKUBZ, SLICER, SMICK, STEVE CROSS, STOPEM, SWERFK, TANEA, TIM ROLLIN, TOGGLES, TREM, UNWELL BUNNY, VANDERLISM, WILL COLES, WONDERLUST What: The Paterson Project Where: The Paterson Building, 173-181 Smith Street, Fitzroy, Melbourne, Victoria, Australia When: Friday 6th March 2015, from 6pm til late – for one night only!!
We dont usually post up may photography exhibitions, but when we do its for a good reason – like this show coming up from Sam (KidKong) Wong and Jack Shelton, two of Melbournes rising street photography stars.
“LA- NY is a joint exhibition between Sam Wong and Jack Shelton. Taking a look at a colourful California set against a stark black and white New York. The project will take the form of a book Launch and exhibition as part of The Photo-book Melbourne 2015 festival, Melbourne’s very first international photo book festival.”
Head down to No Vacancy at QV in Melbourne this Friday night to see the show, and the mad ass photos that will be on display.
Who: Sam Wong (KidKong) and Jack Shelton What: LA – NY photography exhibition Where: No Vacancy gallery, Jane Bell Lane, QV, Melbourne When: Show opens Friday 17th February from 6pm til 9pm and runs til 24th February.
With a mad ass book launch under his belt, Dean Sunshine got us his Top 10 Melbourne street art an graffiti pieces for November – second last for the year, and man, what a month November was hey? Check out the pics below …
There are many names that are synonymous with graffiti in Melbourne, however there is one that garners unmitigated respect from all corners – Bail.
Throughout the years, Bail has made a name for himself with his unwaveringly dedicated, no holds barred approach to painting. From an early age, this desire to put his own personal mark up on his surrounds has consistently motivated him to expand his outpourings, each work often following the subconscious spurrings of a multitude of internal visions.
At times, these creative products are often whimsical, at others political, or embedded with indirect prods at culturally bullshit circumstances and situations. Poignantly, each of Bails pieces tells a story (if, at times, often convoluted and cryptic), and his work is deeply entwined with the prose that he conveys through both his written narratives and his hip hop lyrics. With rap having formed as large a part of his artistic development as painting on walls has, each aspect furtively promulgates and enriches the other like a desultory, meandering yang/yang orgy of expression.
With his upcoming solo show, Making Bail, about to launch, we had chance to throw the man a few questions, and find out a bit more about his many motivations, inspirations and lyrical annunciations – so read on, and enjoy a small glimpse of the mind behind some of the most prolific, and finest, work we’ve seen around the streets and laneways of Melbourne.
As an artist, there’s little doubt in my mind that you probably started out drawing and shit at an early age – what are some of your earliest creative memories and when did you realise that creating shit was something that was in your blood?
I cant remember a time in my life where I wasn’t building, drawing, smashing, breaking, climbing or writing/telling stories. I would paint everything; we had a chicken coop in the backyard and I would catch the chickens and paint colours on their feathers.
In kindergarden, they would give me watered down paint, this way I could paint all over the fence and at the end of the day they would spray it all off with the hose. Then in primary school, I loved the smell of fresh cut grass, I would tumble out of the class room at lunch time and gather up a massive pile of grass clippings then stuff it into the holes in the wire fence. Some kids would think I was weird – others would help. By the time lunch was over, and everyone was back in the classroom, I’d look out the window with a shit eating grin plastered over my face and see my name written in grass across the fence.
You know that the creative process is a fundamental part of your being, the day you first realise that the voices only stop when you are deep in the moment of creation.
Sometimes they stay quiet for a short while after you are done. But then you hear them. Faintly chattering, off in the distance and you know that you must start the process over, or pretty soon they will be screaming and howling between your temples like a pair of blood crazed baboons ripping at each others flesh.
When was the first time you picked up a spray can? What lead you to painting in walls in the first place, and can you remember your first real mission?
We used to roll down the drains on our bikes after school. Someone would bring a torch and we would go exploring like the goonies, following the cave clan directions deep underground.
We had some really good times in the drains, an hour underground, water rising, fearing death, lying on my back using my legs to pop open a concrete manhole cover because it was too heavy for us to lift. The drains were/are full of graff. We would ride past pieces by Grate (TGC), Trance (CI), Reakt, Perks, Giro etc, and sometimes we would see people painting. We started to borrow poscas from art class or find cans to leave our toy tags. It was a natural progression to start painting.
I always thought people should do some practice in their back yard on an old board, then do 20 drain pieces, then when your finally skilled up go trackside.
That being said, one of my first pieces was trackside and it sucked hahaha. I remember borrowing the paint from the $2 shop and doing the piece then taking my parents to see it the next day.
You’ve been doing this shit for years now – back in the early days, who were the guys around you, or other graff artists that were doing shit around the world, that really pushed you along on your own path?
I didn’t really know what was happening around the world until later. The Style Machine wall near Prahran station was a big influence when I was young. My dad would take me to the Prahran market to get the food and I would always ask to go past the mural. RB7 and Voter had tags every where. Puzle, Rush, giro, Mesk, Occupy, Denz, Reach, Higher were all favorites. Inpak did some of my favourite track-sides ever. Jorz had/has the best characters and always comes with fresh style; every piece, tag or shark throw up perfectly executed. Sdm, CI, TAB, KSA, RDC, Cduse had insides on lock.
Dorps came to Melbourne with Pubes and basically showed everyone here how it is supposed to be done; multiple cromies and one or two burners on every line, street bombing, throwies, insides and burner panels. I dont think anyone else has done it like he did.
Trance (CI/TGC) was way, way ahead of his time. He and Renks pretty much lead the way stylistically. Renks was doing these pieces shaped like guns that were ridiculous, and everything Trance was doing was ridiculous.
How about now? Who are some of the guys you love painting with these days, and whose work really just does it for you – and why?
I like painting with people with a warped sense of humour who can put up with my stupid voices and random outbursts.It is always good to paint with people who are better than you so you can learn. I like the work of Aryze, How and Nozm, some of Lister’s faces have ridiculous line work, Won (ABC), every now and then Sofles does something with paint that makes you get mad, real mad, but then after you get mad you wanna get even. The big piece Insa and Mad Steez did – well that was something, wasn’t it?
In terms of style, where have you most drawn inspiration from for your work over the years – can you pinpoint anything specific? Do you have any formal artistic background at all or are you all self taught?
H R Giger, George Hull, Won ABC, Ron Cobb, Chris Foss, Ralph Steadman, Nick Cave, Hunter S Thompson, Alan Moore, George Orwell, Tarantino, Cage. I have tried to study a few times but I find I can only absorb information I deem important so I’m not the best student. I was at RMIT trying to learn and I went to a careers guidance councilor for the first time. I told them of my situation and they riffled through some filing cabinets and retrieved a magazine from deep in the vaults.
“Here,” they said “do what this guy does,” and handed me an article about a graffiti mural painted by some dude.
“Is this a fucking joke?” I retorted. “Is a guy with a camera going to appear and start filming?”
“What are you talking about?” she answered. ”
You just handed me an article about me,” I sad. “This is me in the magazine – so you think I should do what this guy is doing?”
After that I figured I didn’t need higher ed – just hard work and drive. If the guidance councilor is going to inadvertently tell me to be myself, then, fuck, maybe I should.
You’re well known as a bit of a storyteller, most of your pieces that you post up online come along with a narrative – how important is this storytelling component in conjunction with your painted work? How much of it is true, and how much of it is creative license? ;)
I just like writing. I find it interesting. I have many strange and interesting experiences and I enjoy combining them with gross exaggeration, fictitious folly and malicious mayhem from my twisted imagination. I think you can tell which ones are based on an occurrence. I don’t want to be just one thing, so I like to add the written component so that people can see a little further into the world I am representing when I spritz the sprays on the rap letters. Some people might not like it or think I am a tosser, thats ok, there are worse things to be and they can just skip over the narratives.
One day when I am too old to run around painting the town I would like to get serious about it.
Speaking of words – you did a pretty fine album not too long ago, with Retainer under the name Hedge Burners – “Over Spray” – can you tell us a bit about this project and how it came about? Are you still actively working on rhymes and musical projects as well?
Cheers. I have been into rapping for nearly as long as painting. I used to go into all the battles, and I won a bunch: run amok, big day out 03? and used to get into the finals in Revolver and a bunch of others. I got a bit sick of rap and focused on painting for years. I always stayed writing here and there and free-styling but only got right back into it about 6 years ago. I did verses on friends albums; Pisces, Nekta and Flush and Celphysh and some unreleased stuff with Biggs and Retainer, I made some tracks and a few film clips for my self and one for Pisces.
This all led to me wanting to have something to show for all the years that rap meant so much to me. I wanted to put as many songs on the cd and cover as many topics as we could. After the art show, I want to do a few more tracks – some solo, and some with Tains.
Writing, painting and generally existing in the metropolis of Melbourne – how has this city itself helped the way you do graff, if it has at all? What is it about Melbourne that feeds into your work, and what are some of the more interesting stories you can tell us about some of your urban adventures here?
Melbourne had a particular flavour for a long time – I think this was due to a lot of artwork staying up on the train lines. This created this relaxed environment where you could spend hours painting a burner and it could stay up for 5-10 years (if you were lucky). The city you live in molds you subconsciously, so you could probably tell me more about the Melbourne influence in my style than I could tell you.
I used to paint atop the Collingwood silos a fair bit. Anyone who has climbed the still standing castle looking building next to it will know that the last level of the stair case has been removed to stop stupid idiots attempting to climb to the roof. Mayo and I had just painted the silos so we made our way across the rickety, wobbly wooden walkway then began our climb amongst all the dead pigeons and rotting wooden supports.
It is a bit of an effort, so it was nice to stand in the sunshine and admire our handiwork when we finally emerged from the trap door. We took photos and mucked around for a while. When it was time to leave, Mayo lowered himself down onto the banister – the stairs as I mentioned had been removed. Mind you, this is about a 10 story building – so he is balanced on this shitty piece of wood that is wobbling around then he jumps down to a landing.
It’s my turn, so I lower myself down the same way. Just as my feet are almost on the banister I screamed “fuuuuuuck” – a nail had popped through the webbing of my hand.
My natural reaction was to pull my hand away. Every part of me was saying get your hand off the nail, but my instincts kicked in and I found a foot and handhold for my free hand before I ripped my hand off the nail.
I looked straight down to the fall below, a spurt of blood still speeding towards what would have been my certain death. We laughed about that one when we got to the ground, but that was probably my 9th life right there.
Tell us a bit about your upcoming exhibition – its been a while since we saw a bunch of your work up in a gallery. What will the show entail, and how does it represent a snapshot of your artistic practices as they are today?
It is a mixture of things. Some abstract works that I did for no reason other than that I find them aesthetically pleasing. Then their are some grotesque paintings that are commentaries on life I suppose. Some prints.
A mixed bag. Fun for the whole family.
Whats changed in graff since you started out? How have things gotten better, how have things gotten worse? Where do you stand on all these debates on what constitutes graffiti as opposed to street art, or do you not give a crap about all the political bullshit side of things? Have you found that your attitude towards it all has shifted a lot from when you first started doing graff when you were much younger?
I think the lines have blurred between street art and graffiti. Graffiti artists have always done characters and productions so I’m pretty sure that is street art anyway right.
I do both. I just don’t like how many shit street artists there are and how they don’t put in hard yards, or represent anywhere good, but they’ll plug their shit work all over the net and get kudos from clueless muppets who think dog shit sprayed gold is good art (which it is, but that’s another thing) – then they get an inflated ego and act like they are not a silly misguided gronk.
But its all gravy, life sorts everyone out.
So, after the show, what do you have planned for the rest of the year, and, indeed, the future? What projects lie unrealised, where would you like to travel and where would you like to take your work next?
I want to finish this stupid fucking book I have had in the pipelines for years, but it fried my scone so it has been on the back burner.
I want to travel – always, maybe try and get involved in this big mural art bs while the boom is still reverberating. Some more raps, some more sprays, maybe some writing, maybe some filming/acting/directing.
Maybe I’ll learn to shoot laser beams out of my eyes.
Once again, Dean Sunshine is back with another top 10 for October 2014. Deans been a busy guy this month, what with his new book about to come out (The second from the man after his 2012 Land Of Sunshine) and “Street Art Now” as its titled should be available in all shops and stuff this week .. we’ll have more news on this soon, but for now, enjoy his top 10 for whats grand around Melbourne graffiti and strreet art in the past month!!
Rone is back with his latest show this Friday “Lumen” which is sure to live up to his usual standard. About the show? The press release says it best: “Lumen will include eleven large-scale portraits inside and outside of the gallery and a twelve metre high mural on the building’s adjoining ventilation tower. The space itself – an abandoned office building slated for demolition – has been transformed into a black (and blank) canvas. The artworks will be brought spectacularly to life by lighting designer, John McKissock”.
Rone has been a busy man lately, with his and Wonderlust’s Art tram rolling around town (as part of Melbourne International Arts Festival), his new murals at the NGV for The Fashion World of Jean Paul Gaultier: From the Sidewalk to the Catwalk.
Who: Rone (lighting by John McKissock).
When: Friday 24th October, 6-9PM. Runs to 9th November.
Once again Dean Sunshine gives us the goods in his latest collection of what was fine and awesome in Melbourne street art and graffiti this month – always a pleasure checking out these pics, enjoy them as much as we do!!
1. Deams – Fitzroy north
2. Slicer – Fitzroy north
3. Lucy Lucy – Fitzroy north
4. Bailer – South Yarra
5. Stormie Mills – Brunswick
6. Baby Guerilla – Brunswick
7. Kyle Hughes Rodgers – Brunswick
8. Two One – Brunswick
9. BMD – Brunswick
10. Heesco + Duke Style – CBD
Another exciting opportunity to announce today. Hosier Inc is launching their 2nd round of the Paint UP project and looking for Artist submissions. After the awesome reaction to Paint UP Round 1 (Adnate’s aboriginal character on McDonald House), it’s time for another mural in Hosier Lane.
Again the wall being offered has never seen paint before, so this is an awesome opportunity to put your mark on the Hosier lane precinct. Get your submissions in ASAP! They close on the 3rd of October.
Here’s a brief run down of the project, more details on the Hosier Inc blog:
“After the success of Hosier Inc’s PaintUP! Round One, featuring the stunning portrait of a local aboriginal boy on the side of MacDonald House, Hosier Inc is proud to announce a call for expressions of interest for Paint UP Round Two. Download PDF
You are invited to submit a concept for a large-scale image to be painted in the Hosier and Rutledge Lane precinct as part of the 2nd round of the PaintUP! initiative.
The successful proposal will demonstrate a rationale and a design that demonstrates an affinity with the location of the wall and building.
The proposal may include some or all of the available walls on the Youth Projects facade.
Hosier Inc will grant $6,000 to the successful artist to supplement project costs.
The artist will be responsible for the costs associated with the organization, management and execution of the project, with advice and support from Hosier Inc. (Public liability by HI!)
All eligible submissions will be considered. Selection of successful applicant will be made subject to the artist’s availability to complete the painting by end 2014.
To be considered for this opportunity you will need to provide the following:
Proposal of concept along with sketches/montage of the proposed design
Links to your previous work, show examples of the style you are proposing
There can be no offensive or religious material, no sexually explicit content.
All members of Hosier Inc will invited to participate in the selection process, which will also include input from Youth Projects and the City of Melbourne.
This event may be used as an opportunity to promote Youth Projects. The chosen artist should therefore be aware that they may be required to participate in these media and PR opportunities. Any conflict caused by strong affiliation with another charity should be carefully considered before applying for Paint UP Round Two. For information regarding Youth Projects go to http://www.youthprojects.org.au
3rd October – Subissions Close.
22nd October – Successful artist notified and announced.
For a PDF copy of the brief, click here.
David Russell and myself are both members of Hosier Inc, if you have any questions about the project, please don’t hesitate to ask.
Who: Hosier Inc. What: Paint UP 2 – Call for Submissions. When: NOW! Open until 3rd October. Winner announced 22nd October. Where: Hoiser Lane of course ;)
Hosier Inc facebook page.
Hosier Inc blog.
Sofles and Smug were in town recently, painting the town purple, beige, blue and every colour in between, with their unique styles of hyper rendering and tight detail. The guys were also accompanied by Adnate, the three of them spent four days in the freezing cold, where they each painted amazing portraits but each with such varying composition and style.
To watch the three artists side by side was a definite highlight of my month, stay tuned as I will be posting their most recent paint up in Fitzroy.
Just saw this dandy show pop up on our radar, with a couple of favourites doing a group show at No Vacancy in Melbournes QV! Fred Fowler, Niels Oeltjen (Nails), Hiroyasu Tsuri , Stanislava Pinchuk (Miso), Shida, Kenta Senekt , Luke Pither, Laith McGregor and Stabs all in one room, nice!
“The interrobang (‽)
n. A punctuation mark in the form of a question mark superimposed on an exclamation point, used to end a simultaneous question and exclamation. (eg. WTF?!)
The interrobang, the first new punctuation mark to be introduced in three hundred years, is a mark said to be the typographical equivalent of a grimace or a shrug.
Interrobang, the exhibition, presents divergent and peripheral work by nine artists. Experimental in nature, these works are the interrobang in their practice.”
Head down to no Vacancy this Thursday night to check it all out, yep!!
Who: Fred Fowler, Niels Oeltjen (Nails), Hiroyasu Tsuri , Stanislava Pinchuk (Miso), Shida, Kenta Senekt , Luke Pither, Laith McGregor, Stabs What: Interrobang Where: No Vacancy, QV Gallery, 34-40 Jane Bell Lane, Melbourne When: Show opens Thursday August 7th 2014 from 6pm til 9pm and runs for two weeks.
Invurt webzine provides information on AustralAsian street, urban, illustrative, graffiti and other genre defying, nu-contemporary art to readers around the world. It specialises in events and artists who are working, displaying and visiting Australasia – particularly with a focus on exhibitions, live art and other events the artists are partaking in.