Interview – Stephen Ives
Along with all the street art and graffiti that we love to endlessly cover, there are then those artists who don’t fit the usual mold, that we love just as much.
Artists such as Stephen Ives, with his incredibly detailed customised toys come sculptures – made from the mutated and bonded parts of the discarded, unwanted, new, old and found playthings, are in a popular position these days – their works able to easily traverse genres. More so, however, artists such as he and their creations are often able to subliminally touch upon our inner psyches – to which everyone, no matter the type of art, or even their degree of love for art, can easily identify and respond to with a myriad of emotions. Who can not see, for example, an image of Winnie the Pooh, all decked out in religious attire, and not wonder at the symbology contained within such a visage?
Stephen Ives does new things, and consistently allows his work to follow a modernistic, urban influenced bent, continuously breathing a splurge of transformed consumeristic creativity into the blood stream of this thing we call art.
Its for all those reasons, and more, that Invurt approached Stephen on the eve of his latest show at No Vacancy – TOY, to get the low down on his work and to get an insight into the ideas and themes he works within when putting together his creations – and did we mention that his sculptures are just really cool? So, read on, and enjoy rummaging around in Stephens Ives unequivocally metamorphosised toybox …




