Interview - Knock - INVURT

Sunshines Top 10 Melbourne Street Art & Graffiiti – March 2017

Well, we’re really late on this one, and my apologies for that, its been a busy month! Once again, we have Dean Sunshine providing us with monthly pick of all the great and grand work that has gone up around the walls of Melbourne, and this month is no exception. Always nice to see familiar names, but even better ot see some newer ones that have started to pop up – we’re especially loving the work of Julian Clavijio and Welin in recent months. Check it all out below! 1. Shida – Sunshine Lane, Brunswick 2. Stormie Mills – Prahran

Through The Lens March 2017 – David Russell Photography

March has passed by leaving some pretty fresh art on the streets of Melbourne once again, the standout for me would definitely be the work of Rone in the now demolished Fairfield paper mills. The big Sinch tag rates as one of my favourites as well go big or go home as they say, also see some new works by Heesco, Choq,  Jason Parkers lovely portrait of Juddy Roller artist Goodie at Off The Kerb Gallery. Stay tuned for next month as Im going to the Benalla Street art festival over three days, this looks to be the biggest one

Snapshots – The Light In Us – Isolde – Off The Kerb Gallery

Congratulations to Isolde on her first solo exhibition at the iconic Off The Kerb gallery in Collingwood, run by the ever busy and beautiful Shini. I would have to say the work of Isolde would definitely be some of my favourite paste ups I have seen on the streets of Melbourne, in her many art covered lanes. Isolde’s work always stood out, her powerful images amongst the rust and ruin of some grungy laneway, this is where her work shines. For those that couldn’t make it down to Off The Kerb, I managed to garb some photos while having my

Sunshines Top 10 Melbourne Graffiti & Street Art – February 2017

Well, by now you know the drill! After several years, each time we do one of Dean Sunshines Top 10s of Melbourne street art and graffiti, we see work that is even better and better hitting our streets. This time around, he’s pulled some fantastic pieces together for this one, and looking through it .. well, all I can say is that I really love Melbourne summers!! Check them all out below!! 1. Vexta + ELLE – Collingwood 2. Kaffeine – North melbourne 3. Lucy Lucy + Ola Volo – Fitzroy 4. Ling – Collingwood 5. Phibs – Fitzroy  6.

Snapshots – Make Your Self At Home – GOODIE – Juddy Roller

Congratulation to my good friend and all round beautiful soul “GOODIE”, as she put up her first solo show at Juddy Roller a few weeks back. I feel these works gave you a little insight in to the mind of the artist, you always take a risk when you expose yourself like this, I think she executed it well. It’s always refreshing to see what the artists come up with in the Juddy Roller space, especially when there is and has been so much talent pass through those doors. So for those that couldn’t make it to the show here

Through The Lens February 2017 – David Russell Photography

Welcome again to another look back at some of the amazing art by some very talented Melbourne artists, who consistently keep churning out some impressive works of art. Im always impressed at the constantly evolving styles especially by the graffiti community, forever pushing their craft to new heights. Melbourne also has a great line up of exhibitions usually every week there is something on, sometimes up to 3-4 shows in one night, with galleries like Backwoods, BSIDE, Juddy Roller and Off The Kerb just to name a few. Oh well guys until next month stay cool and get out and

Sunshines Top 10 Melbourne Graffiti & Street Art – January 2017

Well, its the new year, and it’s already February! How did that time pass so quickly? As always, we have another collection this month from the man himself, Dean Sunshine, of all the rad work he’s seen up on Melbournes walls in the past month. For a while bunch of cool shit, just check it out below – already looking forward to next months set! 1. SHIDA – Melbourne 2. DSCREET – Collingwood 3. CAPTAIN KRIS – Sunshine Lane, Brunswick 4. CARATOES & JARUS – Coburg 5. RONE – Coburg 6. MAYONAIZE – Fitzroy 7. VEXTA & ELLE – Melbourne

Through The Lens January 2017- David Russell Photography

Welcome to 2017 and my first Through The Lens post of the year, I thought what better than to start the year with a dope selection of  some of Melbourne’s finest graffiti. This year already looks to be an amazing year of street art and graffiti, I can’t wait to capture it with my lens and share it with the rest of the world. I already know of some pretty talented artists from around the globe who will be staining our streets with some pretty amazing aerosol art, you will just have to wait and see what is coming up

Sunshines Melbourne Street Art & Graffiti Top 10 – December 2016

… and we’re back! First post of the year, and what better way to start everything off than with Dean Sunshines picks of all that was rad and cool for the final month of last year, December! This is the 69th edition of Deans Top 10, and this one is just as great as all the rest – lots of talent on display, as we have come to expect every month from the man .. take a look below and check it out! 1. Lush – Sunshine Lane, Brunswick 2. Senekt – Sunshine Lane, Brunswick 3. Caper – Lanes End,

Through The Lens November 2016 – David Russell Photography

The year is almost over and here we are once again showing you just some of the dope art that went down in the month of November. My favourite piece would have to be Mayo’s addition to the floor at the old lyric theatre where Rone had his exhibition. I am a big fan of Mayo’s work seeing it on this scale was epic and had to be seen to really appreciate the way he executed it. There aren’t too many pics from November so I will make up for a bumper addition next month, so till then stay cool

Interview – Knock

I first started seeing Knocks work around Melbourne some time ago, periodically appearing in run down abandos and a variety of walls sprawled across the city – immediately, there was just something that drew me to his work, whether it was the seemingly ordered chaos of his pieces, or the strange and pensively creepy character work that peered out from broken bricks, pinpoint eyes mirroring the decay around them.

Like other artists who choose to follow this type chaotic expression, Knocks work is infused with a variety of influences from pop culture, to the surreal and macabre – his often use of grey tones with a scattering of colour amongst his creations allows them to, almost, blend in with otherwise nondescript scenery. Out of the corners of your world weary urban eyes, Knocks phantasms creep, meander and splay themselves between the recesses of your thoughts – and, all too often, you find yourself sucked into their vortextually intricate details.

Having travelled to Europe for the summer, and spent a large amount of time wandering Australia, Knock now finds himself landing in Melbourne, where he will be putting on a solo show, Terra Senectus, at House Of Bricks. Not being one to pass up a great opportunity, I had a chat to him about his work, his show, and all the beautiful craziness of his work.

Read on, and enjoy …


Can you tell us how you first started out as an artist and how you first become interested in art?

I’m not sure, really. I traveled lots as a kid and would use it as escape in the never ending transit between locations. Also I started out documenting what I saw along the way, but I only really started to pursue it full time when I was in my late teens.

I was constantly surrounded by creative humans growing up, as my parents ran a travelling circus – the menagerie of different specimens who excelled in their different skills pushed me on.


Your work has a bunch of traditional, Graffiti elements, but is also mixed in with the fantastical and biological – where did your style spring from? Do you have any formal artistic background, and what kind of identities within art do you believe your work most grooves with?

I didn’t study any formal visual arts. I think it all started when I found aerosol around the age of 14 and was painting most days and nights, then it kind of just formed itself out of the years of chiseling away.
I had a few mentors growing up that helped along the way. In early childhood I was exposed to a certain book by “Brian Fraud” and that kind of shaped my nightmares for years to come – most of the content in my work I’ve met before in my sleep, or in other altered states.


In what way do you try to push your style forward and progress the work that you do?

Being fast has always been something that I’ve been pushing over the years, due to the fact that the faster you paint, the more you can accomplish on the wall. The faster you get, the more options you have of trying new elements and layers, making it a better finished product.

Another plus is that it allows you to paint a huge range of different, not so legal, spots while still being aesthetically pleasing, when most people would be daunted by time constraints.


You’ve also done a few collaborations not only with traditional graffiti elements but also more street art aesthetics, can you tell us a bit about some of your collaborative pieces?

Mostly, when I have collaborated with someone in the past, it is due to the fact that we get along socially and our styles work together.

I like working on collaborative pieces in high traffic night spots. As long as they are relatively quick, know how to not draw attention and are clued on to the basic rules, its always a pleasure.


You’ve done a fair bit of travel, recently spending time in Berlin – can you share a few stories of where you’ve been, and some of the more interesting adventures you’ve had along the way?

For the last four years I’ve been making an effort to change my surroundings every six months just to be able to paint different spots, meet new people and get away from that stagnant comfort zone that most of us live in. Berlin is pretty amazing. I’ve kind of been using it as a summer base in Europe for the last two years – the city is constantly changing and is really good for general quality of life.

The highlight of travelling over the last few years has been all the different forgotten spaces I’ve been hunting – the human race has left a pretty nice array of structures to paint in almost every country I’ve been to.


How does Berlin compare at the moment, in your mind, to the scene here in Australia and Melbourne in particular?

Berlin is completely different in a few ways the first one being no one who lives there has any money to spend on art, on the other hand the creative scene is huge and constantly evolving which opens up massive opportunities that wouldn’t usually happen any where else.

I think its about to over flow, though, as every week more and more people flock there, making it more expensive – but, also creating a bigger scene – this is both good and bad depending on where you stand.
What is it about Australia in general that gives you a sense of creative energy?

The most amazing thing about Australia is that most people forget is that this land is really old – surprisingly, it is relatively untouched by humans, this being due to the aboriginals being nomadic and having a symbiotic relationship with their environment.

The flora and fauna that occupy the different habitats around Terra Australis are all pretty unique as well, and have had a while to adapt to the diverse surroundings they live within. This intrigues me and I think a lot of that kind of subject matter comes out subconsciously in my work.

So, this latest exhibition of yours, tell us all about it – where it’s at, what it’s all about, and how you think that this show helps you to move forward with your art.

Terra Senectus translates to “Old Planet” this latest body of work delves into the concept of deep time, instead of thinking in hundreds or thousands of years it measures in millions even billions of years.

The idea that humanity is just a fleeting moment on the larger scale of the earths life cycle has always interested me, also the idea of the endless possibilities of other creatures and races that may have once lived on this fertile planet. The mediums I’ve been working with range from oil painting, block printing and fabric extraction – they have each opened up quite a few new challenges. It’s pleasant using your brain in ways it wouldn’t usually function, and pushing normal cognitive formulas.


What do you have planned for the rest of the year, and, indeed, the future? What projects lie unrealised, and what would you like to investigate with your work next?

After my show i intend to stick around in Australia for a little while longer and explore some spots I haven’t been to. Next year I’ll be doing a residency in south east Asia for a few months, and I’ll see what effect it has on the body of work I’ve created at the end of it all.

Berlin is definitely on the cards again, along with a heap of new projects I’ve been working on over the last few months, there’s a few big things in the works, but I don’t want to give away to much before it transpires …


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