Exhibition – “Kioku – Flashback Memeories” By Goma – Backwoods Gallery

This looks to be a great show, Im looking forward to this one see you guys at Backwoods Gallery.   In his youth, the Tokyo born Goma traveled to the Northern Territory in order to study the didgeridoo under master Djalu Gurruwiwii. During his stay, Goma lived with the Yolngu people and was adopted into the Galpu clan. Under the tutelage of Djalu, Goma became the first non-indigenous person to win the Northern Land Council prize at the Barunga didgeridoo competition. Upon returning to Tokyo, Goma founded the Jungle Rhythm Section, a highly respected musical outfit which blends Jungle and

Exhibition – We Need A Myth – Erin Greer – Off The Kerb Gallery

Get along this Friday night to another art filled night at Off The Kerb Gallery, brought by the amazing Shini, this is one amazing person doing great things for Local and interstate artists for the past 9 years. Get down and support Erin Greer with her show called “We Need A Myth”, also check out the other artists showing in the other rooms. Fables instruct, myths ignite the imagination and dreams form the template of our ever shifting reality. The stories we tell teach us to interpret our world. They can, quite literally, shape the world around us. There is

Through The Lens – January 2016 – David Russell Photography

Welcome back to my series of photos capturing Melbourne’s amazing Graffiti and Street art culture, documenting artists, walls, galleries and everything in between. I’m really looking forward to what this year brings, so join me for another year of Through The Lens and see what Melburn Has to offer the world. Till next month where I will bring you a fresh batch of dope walls. More Cool Shit: Video – Adnate & Kaffeine – Amnes… Sunshines Top 10 – November 2015 Event & Live Art – George Lane Party &#8… Event – Bend & Snap Markets – 1000…

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Sunshines Top 10 – January 2016

Well, the new year is in full swing and 2016 holds a whole bunch of cool shit to come – we’re working on a new project here for the website, which will be released sometime in February, so stay tuned! In the meantime, here is Dean Sunshines monthly Top 10 of all the cool shit hes seen of Melbourne street art and graffiti – check it all out below and enjoy! 1. Findac – Brighton 2. Putos – Fitzroy 3. Kaffeine – Fitzroy 4. Shem – Melbourne 5. Damien Mitchell – Brunswick 6. Jimmy C – Collingwood 7. Skream – Fitzroy

Snapshots – Abyss 607 – Guardians Of The Threshold – Off The Kerb Gallery

For those of you who live Northside will be familiar with Abyss 607 and his work, with his unmistakable style adorning Melbourne’s walls, doors , footpaths and even trackside, his work is everywhere. If I can use one word to sum up his show it would be “WOW”, I was super impressed and surprised to say the least, well done Abyss 607, the exhibition space had a serious case of the measles, virtually every piece had a red sold sticker on it. For those of you who could not make it, here are a bunch of pics I took. More

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Exhibition – Observance – Ryan Boserio – Melbourne

This is a show I’ve been waiting to see for a damn long time. Since moving to Melbourne from Perth a couple of years ago, Ryan Boserio has constantly worked on progressing his fantastical, surrealistic scifi infused imagery. Over this time his pieces that have popped up in both solo shows in Perth as well as group shows here in Melbourne (with the odd wall popping up here and there), all of which have hinted at a body of work that looks to have been realised with Observance – and damn, I’m fkn excited to see it all. Read on

Exhibition – Guardians Of The Threshold – Abyss 607 – Off The Kerb Gallery

Guardians Of The Threshold Abyss 607 Guardians of the Threshold is a glance into the mythological realms of Abyss 607. The Guardians, also known as the Seers are the deities that look over these dimensions and the ones that conceal the secrets within. The show primarily focuses on the di- vinely archaic forms of the Seers and their engagement within these realms. Abyss 607 is self taught and started painting and drawing the glyph in- spired Seers within the streets of Can- berra from 2009 and has since spent the last two years residing in and inspiring. Who: Abyss 607 What: Guardians

Through The Lens – A Look Back On 2015

Here are 65 images I think sum up 2015 pretty well, having said that I’m really looking forward to what 2016 has install so see you guys soon. More Cool Shit: Magazine Launch & Video Recap – King Bro… Snapshots & Review – Studio 615 –… Snapshots – Park Street Block Party – … Sunshines Top 10 – October 2013

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Sunshines Top 10 – December 2015

It’s been a fairly cruisey year for us here at Invurt, with me up in Singapore a lot and general life-things-busy, it’s great to end the year in a high note, and what better way than with a bunch if photos from Dean Sunshine of all the grand shit he has seen over December? Check them all out below, and have a great Xmas and New Years – and stay tuned, we have some big things and exciting projects in store for 2016 when we’ll be ramping up thing here on the site again! 1. Adnate + Kaffeine – StKilda

Video – Adnate & Kaffeine – Amnesty International

Video – Adnate & Kaffeine – Amnesty International

Adnate and Kaffeine put up their first ever collab piece the otyher week, and the results were pretty damn amazing. This was a piece for Amnesty, and it turned out wonderfully – always good to see some of our favourites collaborating for the first time! “Melbourne street artists Adnate and Kaff-eine collaborate for the first time to help raise awareness for the Write for Rights 2015 campaign run by Amnesty International. #W4R Phyoe Phyoe, a young student activist in Myanmar is currently in prison for peaceful protest like Yorm. Take action for her here> bit.ly/PhyoeW4R . Together we can make

Interview – Burg

I don’t even remember seeing my first Burg face – one second I had no idea who the fuck he was, the next it seemed like he had always been there. Suddenly, Burg was just a part of the landscape, his work morphed into the ever flowing world of Melbourne street art in such an intrinsic way that I was caught out. Surprised, even.

Sulking on corners, laneways and thoroughfares – staring out with impeded eyes and forlorn glances, a true face of the downtrodden – aged lines blurring into the heady youth of a young impressionistic attitude flowing with rough, barely concealed zeal. You know Burg when you see him – and trying to grasp onto the emotions on one of his works is an episode in frustration. Ambiguity is one of the most highly sought after expressions in any kind portraiture, that sudden "I don’t know what the fuck he’s thinking" in the viewers eye a most preferential outcome, and in this, Burg has excelled in this.

With a imminent move up to Byron Bay, we’re hoping that we don’t have to wait too long before we see more Burg faces pop up on the streets of Melbourne – in the meantime, read on and find out more about this grand up and coming artist hitting our streets …

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Can you tell us how you first started out as an artist and how you first become interested in art?

I first started as an artist, that’s a tough one. it still a weird thought to think of my self  as a artist, I guess it started when I saw one of my paste ups on "Melbourne street art" Facebook group as bad as that sounds, I always drew in my spare time but there was never really anybody who saw it until it was on a wall for everybody to see. I always loved my comics from a young age as well as the classic 90’s animations.

I always thought I was going to be a cartoonist but I never had the patience for it – I think my art now is constantly influenced by pop-cultures hatred of imperfection and mistakes.

I think that that’s what makes things interesting …

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When was the first time you picked up a spray can? What lead you to painting on walls?

I think the 1st time I picked up a spray can was at a mates house party, its been trial and error since then. He was the person who first took me out pasting, that night we met "Start From Zero" – a crew from Japan. I guess what lead me to paint on walls was the "street cred" nobody who does paste ups really gets the same amount of respect as aerosol art, also its a hugely challenging as well as expressive.

I don’t think that anyone has picked up a can and been amazing at it, from my experience it takes a long time and a lot of $$$ to get it to where you’re satisfied, and to look the way want people to see your art.

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Looking around you at all the art up on the walls around Melbourne, where do you feel that yourself and your art fit in to all of that? What have been some of the inspirations you have garnered from such a rich environment?

I kind of hope that my art doesn’t fit in with the others, i want my burg characters to stand out, but with the amount of diversity we have in Melbourne is one of the things that make it special. I’m inspired by the greats that have left their mark on Melbourne, like Phibs, Lister, Gent and Shida. On the other hand our local talent is endless – blokes like Conrad Bizjak, Hancock, JD, Eleven and the AWOL crew keep pushing the limits.

Its a curse and a blessing. It keeps you humble, no matter how good you think you are there is someone out there that is better.

What have been some of the more enjoyable aspects of working with spray paint, and what have been some of the more negative moments? Tell us about the trails and tribulations of working on walls …

Spray paint, its one of the more harder mediums i have used. I get less frustrated with oils. i think its one of those things that the more you work on it and the better you get at it your still not happy, thinking it could be better. i think that’s one of the real holds spray paint has on me, I can’t let it beat me! I have never been shown how to paint with a can, so every time I paint with it I learn something I didn’t know before.

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Where did your form of style spring from? Do you have any formal illustration background, and what kind of identities within art do you believe your work most identifies with?

Hahaha, my style – its a hard thing to critique your own work! Well, I see my style as still changing but every artist is trying to refine there craft. It started out as just drawing cartoons with pencil, once I started using a marker i realized how to use every side of the marker to create thin and thick lines, after that it was just having fun using the freedom to experiment and enjoy doing the outline, the amount of times I have sketched out a design and when it came time to go over it with a marker or fine liner it turned out completely different because of a thick line here and a thin line there.

When it comes to formal teaching, I recently finished my Diploma in illustration at Preston – it was a huge influence on my work over the past year – learning and trying things you wouldn’t think about with out the right guidance. Its saved me from being a one trick pony.

One of your characters, what I think of as "the wrinkled dude"  is immediately recognisable, and almost a Burg trademark – can you tell us a bit about the evolution of this character and where he came from? I mean, what exactly is a Burg anyways?

Burg faces actually started out as mistake – from frustration.

I remember trying to draw this character that I thought was cool but I couldn’t get it right. I had only a few hours before my mate came over and we went out pasting, and as I started to get a bit angry, I took my frustration out on a scrap piece of paper – after that, I felt better so I got back to my original drawing.

Those hours passed, and my mate rocked up ready to paste. I started to pack up the drawings i was going to take out and he asked why I wasn’t taking that one? I thought it was just a shit scribble, but he made me take it – and that’s how the first Burg was spawned. Since then, I’ve drawn him that much that it doesn’t look the same – but he still carries the feeling of a reject, with all his imperfections and ugliness.

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You just recently had an exhibition at The Vic – what lead you to wanting to put on the show?

I did – I met the guy who runs it about a year ago through a friend. He had been asking me to put some stuff up for a while, he asked me again about end of March. At that point I had decided to move up to Byron Bay and had started to save for that. I needed money, and the challenge of having a solo exhibition with a month to prepare was something that felt like it was worth it.

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Can you tell us a bit about how you felt once the exhibition opening itself was over? What was the feedback and reaction to the work – and what would you have changed about the experience, or alter for the next time?

Once the exhibition was over it felt great – before hand I was shitting my self. I polished off a bottle of wine before I had even rocked up (and then some).

I had a great response from everybody i talked to. It was one of the more surreal moments I have had – I understand now why people go through all that hair pulling and sleepless nights for that moment of feeling alone – I think I had a permanent smile on my face for about two weeks.

I know that next time, I’ll give my self some more time – have a few extra little things like business cards, stickers and some prints.

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What are your next plans, and what do you hope to do for the rest of the year, and the next? What projects are on the horizon that you want to get involved in?

The next 12 months are looking pretty exciting – I’m moving up to Byron bay for a little bit, got a little bit of illustration and film work up. 

I have started to paint for my next exhibition as well as a few other group shows in Byron bay as well as another down in Melbourne at the end of the year. at this point I’m looking pretty busy which is always a good thing. so keep an eye out for burg over the next few months.

Check out more of Burgs art at his website, as well as all the recent shots from his latest exhibition "The Many Faces Of Burg" at The Vic ….

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