Interview - Burg - INVURT

Snapshots – Rise & Fall – HA HA – Off The Kerb Gallery

For those of you that missed Rise and Fall by HA HA at Off The Kerb Gallery two weeks ago, I managed to get some photos before the show opened. This show was a departure from his usual works, here he employed broad range of techniques from illustration to brush and even some bronze sculptures of his iconic Ned Kelly stencils. More Cool Shit: Snapshots – Aerosol Alley 2 @ Artists Lane &… Snapshots – New Hunting Ground – Galle… Snapshots – Dvate & Smug – Fitzro… Saturday Snapshots – Berlin, Fresh and Logic

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Sunshines Melbourne Street Art & Graffiti Top 10 – August 2016

Has it already been a month since we posted the last collection of Dean Sunshines top ten Melbourne Street art and Graffiti images? We have no idea where all the time goes, but hey, who cares when we have a big fresh bunch of photos of all thats new and grand around the streets of Melbourne! Check it all out below … 1. Ling + Order55 – Richmond 2. Heesco – Cremorne 3. Bailer + Conrad Bizjak + Uncle Les – Port Melbourne 4. Shida – Hosier lane, Melbourne 5. Duke – Hosier lane, Melbourne 6. Hayden Dewar – Northcote

Through The Lens August 2016 – David Russell Photography

This month sees my usual wrap up of the Melbourne Graffiti and Street art scene, seen both in daylight and under the stars at night. Capturing Melbourne under the night sky is something quite special, the art seems to come to life and adds another dimension to these already amazing works of art. Since most of the work is done by good friends of mine I feel a real responsibility to do it justice and make their work shine – its a collaboration of sorts, that produces some amazing results. August also saw exhibitions featuring artists Kenta “Senekt”, at Backwoods

Snapshots – Spectrum – Senekt – Backwoods Gallery

Last week saw my good friend and very talented artist Kenta “Senekt”who had a solo show called Spectrum at Backwoods Gallery. I was really impressed with the progression of his latest works, having watched his style over the last three years since moving over from Japan. I must say its been an absolute pleasure getting to know Kenta and becoming good friends, even though there was a huge language barrier, thankfully my good friend Luke Mcmanus speaks fluent Japanese. Check out the photos below I captured for those who were unable to make it to the show.   More Cool

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Interview – Sam Yong

Sam Yong is one of those artists who I have followed for a while now, but have never really had a chance to find out more about. I first came across his work back in 2014 at the Analogue/Digital conference, where he was giving a talk as a part of the “Next Gen” artists talks alongside Carla McRae and Loretta Lizzio. As his work was projected upon the massive screen, I couldn’t help but be in slight awe at all the detail and macabre beauty within them. After that, beyond following his work on various social media, the next chance I had

Snapshots – Clockwise – Group Exhibition – S.T.K Art Spaces

If you didn’t get a chance to see the Clockwise group-show at S.T.K art space, this awesome line up of artists was curated by the lovely Filitsa Giannapoulos. This show featured a broad range of artists each bringing their own unique style, from Blek Le Rat to Conrad Bizjak to Rus Kidd and many more from Melbourne’s amazingly talented landscape. Check out the pics from the show below, hope you enjoy them as much as I did. More Cool Shit: Video – Croft Alley Paint Up – Melbour… Snapshots – Ryan McGennisken & Hollie M … Snapshots – Unwell Bunny

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Interview – Brolga

There is a long list of artists who have made their way over to New York City from our Australian shores, seeking what everyone else does in that big city across the seas – a chance to be inspired and create in one of the worlds most cosmopolitan environments. Brolga is one of these artists, who, after leaving the Northern Territory, travelled the world for some time before finally settled into the city he now calls home. With a pop styled aesthetic honed from his graphic design background, Brolga has been making a few waves in recent times. Recently, his Mohammed Ali painting

Through The Lens July 2016 – David Russell Photography

Hey guys it may be wet and cold but that doesn’t stop Melbourne artist’s from churning out some pretty dope art, wether on a wall or canvas July saw artist Cam Scale pull off a ripper of a show at Juddy Roller. Dvate and the guys smashed out a nice wall at the top of High street, Clifton Hill featuring pieces by Dvate, sigs, Putos, Askem, Sage, Porno and Ling. I also spent a bit of time out at night capturing the art under the cover of darkness bringing it to life using my two favourite torches the Led Lenser

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Sunshines Melbourne Street Art & Graffiti Top 10 – July 2016

It’s not easy finding the best ten pieces around the city from month to month, but thats what Dean Sunshine tries to do for us in an un-ceasing survey of the best of Melbourne street art and graffiti. In this, believe it or not the 64th edition of his Top 10, Dean has chosen some of the best pieces that we’re seen yet! Of course, top tens are always subjective, but we do think that he’s nailed it this month! With work from all across the city, featuring Adnate to Al Stark, Hancock and Ape Seven and so many others, its a wonder

Snapshots – State Of Mind – Cam Scale – At Juddy Roller

For those of you who were unable to make it down Juddy Roller to check out Cam Scale’s amazing show State Of Mind, here are  bunch of photos featuring his works from the show.   More Cool Shit: Snapshots – Underway Is The Only Way Snapshots – James Reka – Untold &#8211… Saturday Snapshots – Berlin, Fresh and Logic Video – Lush vs Mr Red

Interview – Burg

I don’t even remember seeing my first Burg face – one second I had no idea who the fuck he was, the next it seemed like he had always been there. Suddenly, Burg was just a part of the landscape, his work morphed into the ever flowing world of Melbourne street art in such an intrinsic way that I was caught out. Surprised, even.

Sulking on corners, laneways and thoroughfares – staring out with impeded eyes and forlorn glances, a true face of the downtrodden – aged lines blurring into the heady youth of a young impressionistic attitude flowing with rough, barely concealed zeal. You know Burg when you see him – and trying to grasp onto the emotions on one of his works is an episode in frustration. Ambiguity is one of the most highly sought after expressions in any kind portraiture, that sudden "I don’t know what the fuck he’s thinking" in the viewers eye a most preferential outcome, and in this, Burg has excelled in this.

With a imminent move up to Byron Bay, we’re hoping that we don’t have to wait too long before we see more Burg faces pop up on the streets of Melbourne – in the meantime, read on and find out more about this grand up and coming artist hitting our streets …

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Can you tell us how you first started out as an artist and how you first become interested in art?

I first started as an artist, that’s a tough one. it still a weird thought to think of my self  as a artist, I guess it started when I saw one of my paste ups on "Melbourne street art" Facebook group as bad as that sounds, I always drew in my spare time but there was never really anybody who saw it until it was on a wall for everybody to see. I always loved my comics from a young age as well as the classic 90’s animations.

I always thought I was going to be a cartoonist but I never had the patience for it – I think my art now is constantly influenced by pop-cultures hatred of imperfection and mistakes.

I think that that’s what makes things interesting …

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When was the first time you picked up a spray can? What lead you to painting on walls?

I think the 1st time I picked up a spray can was at a mates house party, its been trial and error since then. He was the person who first took me out pasting, that night we met "Start From Zero" – a crew from Japan. I guess what lead me to paint on walls was the "street cred" nobody who does paste ups really gets the same amount of respect as aerosol art, also its a hugely challenging as well as expressive.

I don’t think that anyone has picked up a can and been amazing at it, from my experience it takes a long time and a lot of $$$ to get it to where you’re satisfied, and to look the way want people to see your art.

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Looking around you at all the art up on the walls around Melbourne, where do you feel that yourself and your art fit in to all of that? What have been some of the inspirations you have garnered from such a rich environment?

I kind of hope that my art doesn’t fit in with the others, i want my burg characters to stand out, but with the amount of diversity we have in Melbourne is one of the things that make it special. I’m inspired by the greats that have left their mark on Melbourne, like Phibs, Lister, Gent and Shida. On the other hand our local talent is endless – blokes like Conrad Bizjak, Hancock, JD, Eleven and the AWOL crew keep pushing the limits.

Its a curse and a blessing. It keeps you humble, no matter how good you think you are there is someone out there that is better.

What have been some of the more enjoyable aspects of working with spray paint, and what have been some of the more negative moments? Tell us about the trails and tribulations of working on walls …

Spray paint, its one of the more harder mediums i have used. I get less frustrated with oils. i think its one of those things that the more you work on it and the better you get at it your still not happy, thinking it could be better. i think that’s one of the real holds spray paint has on me, I can’t let it beat me! I have never been shown how to paint with a can, so every time I paint with it I learn something I didn’t know before.

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Where did your form of style spring from? Do you have any formal illustration background, and what kind of identities within art do you believe your work most identifies with?

Hahaha, my style – its a hard thing to critique your own work! Well, I see my style as still changing but every artist is trying to refine there craft. It started out as just drawing cartoons with pencil, once I started using a marker i realized how to use every side of the marker to create thin and thick lines, after that it was just having fun using the freedom to experiment and enjoy doing the outline, the amount of times I have sketched out a design and when it came time to go over it with a marker or fine liner it turned out completely different because of a thick line here and a thin line there.

When it comes to formal teaching, I recently finished my Diploma in illustration at Preston – it was a huge influence on my work over the past year – learning and trying things you wouldn’t think about with out the right guidance. Its saved me from being a one trick pony.

One of your characters, what I think of as "the wrinkled dude"  is immediately recognisable, and almost a Burg trademark – can you tell us a bit about the evolution of this character and where he came from? I mean, what exactly is a Burg anyways?

Burg faces actually started out as mistake – from frustration.

I remember trying to draw this character that I thought was cool but I couldn’t get it right. I had only a few hours before my mate came over and we went out pasting, and as I started to get a bit angry, I took my frustration out on a scrap piece of paper – after that, I felt better so I got back to my original drawing.

Those hours passed, and my mate rocked up ready to paste. I started to pack up the drawings i was going to take out and he asked why I wasn’t taking that one? I thought it was just a shit scribble, but he made me take it – and that’s how the first Burg was spawned. Since then, I’ve drawn him that much that it doesn’t look the same – but he still carries the feeling of a reject, with all his imperfections and ugliness.

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You just recently had an exhibition at The Vic – what lead you to wanting to put on the show?

I did – I met the guy who runs it about a year ago through a friend. He had been asking me to put some stuff up for a while, he asked me again about end of March. At that point I had decided to move up to Byron Bay and had started to save for that. I needed money, and the challenge of having a solo exhibition with a month to prepare was something that felt like it was worth it.

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Can you tell us a bit about how you felt once the exhibition opening itself was over? What was the feedback and reaction to the work – and what would you have changed about the experience, or alter for the next time?

Once the exhibition was over it felt great – before hand I was shitting my self. I polished off a bottle of wine before I had even rocked up (and then some).

I had a great response from everybody i talked to. It was one of the more surreal moments I have had – I understand now why people go through all that hair pulling and sleepless nights for that moment of feeling alone – I think I had a permanent smile on my face for about two weeks.

I know that next time, I’ll give my self some more time – have a few extra little things like business cards, stickers and some prints.

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What are your next plans, and what do you hope to do for the rest of the year, and the next? What projects are on the horizon that you want to get involved in?

The next 12 months are looking pretty exciting – I’m moving up to Byron bay for a little bit, got a little bit of illustration and film work up. 

I have started to paint for my next exhibition as well as a few other group shows in Byron bay as well as another down in Melbourne at the end of the year. at this point I’m looking pretty busy which is always a good thing. so keep an eye out for burg over the next few months.

Check out more of Burgs art at his website, as well as all the recent shots from his latest exhibition "The Many Faces Of Burg" at The Vic ….

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