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Exhibition – Creature Creature – Daggers – Melbourne

Creature Creature (aka Chanel Tang and Ambrose Rehorek) are back, with the dynamic duo putting on their latest solo show “Daggers” later this week! Read on for all the news on these guys rad new work and show … All photos below by the most talented p1xels “Creature Creature’s latest series of work is about bringing inward disposition to the surface with a demonstration of high intensity and romantic drama.      Illustrating the internal with outward displays of armoury, weapons, creatures and colours. Symbolic representations of fortitude. Visual style and motifs comes from both a past and future aesthetics resulting in

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Exhibition – No Fixed Address PopUp Show – Footscray

After their amazingly successful Art Of The Mill exhibition and show, NFA Gallery are back with another popup show featuring some of Melbournes radest and coolest artists. “No Fixed Address Gallery is a roving art gallery specialising in Contemporary Urban Art, including but not limited to: –    Graffiti –    Street Art –    Sculpture –    Photography –    Illustration The idea behind NFA Gallery is to provide local and international artists with more opportunities than traditional art galleries, by working directly with them to source an ideal space to exhibit their artwork, breaking both physical and geographical boundaries.” For this next round

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Exhibition – Deams – In The Fold – Melbourne

We’ve been following Melbourne based artist, and founding member of AWOL , Deams, for many years now and its been an absolute pleasure watching his style progress over this time. Every time we see a new show from him, its another evolution of his style, and a beautiful evolution  at that. This week, Deams has yet another solo show opening up in Melbourne at Backwoods gallery – read on for all the info … “We are intrinsically bound by our shared experiences as we move along uncertain paths. ‘In The Fold’ seeks to illuminate the nature of this human journey by

Video – Laneways Of Melbourne

Video – Laneways Of Melbourne

In a follow up to our recap of Meeting Of Styles Melbourne, Mick Russell posted up this video of a few of the laneways of Melbourne that were showcased in the event, with a nice little interaction and map in amongst it. Though it doesnt show all of the lanes that were done, unfortunately, its a pretty cool hyperlapse of some of the main ones! The Melbourne street art and graffiti scenes are blessed to have spots like this, when other countries struggle to get legal walls – though, we always need more … enjoy the video! “Taking a tour of

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Feature – Meeting Of Styles Malaysia 2016 – Kuala Lumpur

It was Friday evening by the time I arrived in KL, I’d finished work and hopped on a quick plane over from Singapore – it was like flying from Melbourne to Canberra, straight up, straight down. After catching the high speed express train into the city, then a connecting monorail to Bukit Bintang station, I’d thrown down my bags and walked the short way over to near Jalan Imbi where everyone was gathered. District Shop and Gallery is at the heart of graffiti in Kuala Lumpur – and the organisers of Meeting Of Styles Malaysia 2016. Down a side street,

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Interview – Steve Cross

I’ve had the pleasure of knowing Steve Cross for a very long time, and in that time I’ve always found him to be a remarkably affable, courteous and downright talented and passionate man. Having seen his work on walls, in group shows, as tattoos on friends and sketches posted up on social media, I have had more than a familiarity with his work – yet its only really now (even given his incredible body of work so far), when Ive seen a catalogue of his upcoming show, The Black Ocean, that I realise I’ve caught a fleeting glimpse at the full scope of his

Video – Wall To Wall Festival 2016

Video – Wall To Wall Festival 2016

We loved seeing all the pics form up in Benalla the other week, and it was great to see this festival continue to grow our in regional Victoria – and they’ve just put out the video for it all! “Wall to Wall festival in Benalla, Victoria is the only major street art festival in the state. The festival drew over 4,000 punters to the town. Wall to Wall is an amazing example of how street art can strengthen regional communities. To find out more visit www.juddyroller.com.au Wall to Wall Festival is curated by Juddy Roller The lare the Managing Directors

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Exhibition – Speed Demons – Sydney

Okay, given the title of this show, we assume it may revolve around cars, jets, rockets and anything else that pumps up the speed and makes shit FAST. “TeeZee brings you ‘Speed Demons!!’ – a group exhibition of speed, power, carnage and progression. Nine Sydney artists tackle ideas of force and power as an innate aspect of the human condition. Join us on the 21st of April for opening drinks and see these artists put the pedal to the metal / turn it up to 11 / cross the red line.” Cool concept for this group show up in Sydney,

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Exhibition – ELK – Vanishing Point – Sydney

After his hugely successful Melbourne show earlier this year, ELK (aka Luke Cornish)is back at it with a second solo show in Sydney – Vanishing Point. “Join us on Thursday 21st of April for drinks and rack to celebrate the opening of “Vanishing point” an exhibiton of new works from Stencil artist Luke Cornish (ELK). Drawing inspiration from over twenty countries travelled to in two years, ELK takes the medium of stencil art to a new level with his latest offering, incorporating over 800 hand cut layers and 200 colours into the paintings, and up to two months of solitary

Through The Lens – March 2016 – David Russell Photography

Hey guys sorry for the late post, things have been pretty around Melbourne lately with Meeting Of Style happening two weeks ago, I will post the photos in Through The Lens April, so until then check out what happened in the month of March.

Interview – George Diamandis GJLD

Theres often a definitive focal point in the work of George Diamandis that does exactly what is intended – it draws in the viewers gaze, seeking the nexus of the work, and as your focus drifts, the detailed surrounds unravel themselves into a contiguous whole.

I first came across Georges work about a year ago, after a somewhat interesting journey up to Maitreya festival. From the initial glances at his sketchup, to the placement of colours and geometries across the boards he was using, for all its apparent chaotica of intersecting lines, there was nothing that wasn’t concisely planned.

Having worked within graffiti for many years, George has, like many others, begun to explore the richness of letters, form and geometry as an avenue towards fine art. From what we have seen thus far,  this new direction has suited his form perfectly.

With his very first showing of work coming up at House Of Bricks, we caught up with the man to talk all things graffiti, the renaissance, mathematics and his move towards the gallery walls with a freshly invigorating, emboldened body of work …

GJLD - The garden of Candide - acrylic, ink, pencil on card (Custom)

So, tell us, back when you were younger – how did you start out? When did you first pick up a pen and start to draw?

In my family home, there was often paper and pens around. From a young age I would apply ink to a surface, usually paper, for writing or drawing. Being of the curious nature, naturally I would experiment with objects and test my surroundings. At a young age, I also took a liking to cursive and elaborate writing – especially when done with speed in fancy signatures and autographs.

GJLD graff in Melb (Custom)

How about graffiti? You have mentioned that you have, for the most part, been involved with graff for quite some time – can you tell us how you first started out in it?

I would regularly see graffiti in my neighbourhood, some writing that read: “Prodigal sons give birth to daughters” and in another location “Eat this information”. I didn’t know what it meant, or even that it was graffiti, but I questioned everything, how long was it there? Who wrote it? What did they mean? Why? Etc. It amused me nonetheless.

I remember seeing tags and pieces in the early 90’s when my parents would drive across the city to visit relatives and family friends homes, I took notice of it, and made connections with the names. I appreciated the style, but also that a person had travelled to this location well before me, and left their name for me and everyone else to see – “RB7” is a name that comes to mind.

Although I respected laws and customs to some extent, I didn’t fear the “destructive” act; in fact I didn’t really think about what I was doing, I just did what I liked because I could. I was bombing and piecing in Melbourne city from the age of 12, but over the years, sometimes, I would stop painting for months.

While most of my peers were getting heavily into drugs and violence, graffiti was my only escape; at the same time I could be creative and exercise physical activity. For example, climbing, running and cycling all over the city.

GJLD graff in Paris 2 (Custom)

How about stories? Every writer has a story – what have been some of your most interesting ones of the things you’ve painted, and the people you’ve painted with, along the way …

There are too many stories and writers to mention. In brief, I think that, for trains, once you have the right approach to paint and bomb it gets simpler, and while exciting it was usually the same old story.

Conversely, the streets are interesting and complex, especially as a young boy when everything is new. So many unexpected things happened. Although the people of the night are funny and made for good stories, Melbourne can be a very aggressive city from the police with both their attitude and behaviour, to the general public who are usually alcohol fuelled while on the streets by night, and will usually not tolerate graffiti.

GJLD graff in Paris1 (Custom)

You have moved into fine art a lot more over the past few years – what actually prompted you to move more in the fine art direction? A lot of writers have moved into the “fine art” world these days – some hate it, some love it, most just accept that its a part of the game – what’s your take on it all?

I think that art and life are synonymous. You will find that the principals of art relate to all aspects of life for example: Unity, Harmony, Variety, Balance, Contrast, Proportion, Pattern and Rhythm. I studied art in high school but went on to study commerce at a university level and found the same relationships occurring in the planning, organising leading and control theories of business management. So for me, there is some truth in art. If you take away the letters in graffiti style and put it on a canvas all of a sudden it becomes abstract art … So it’s all the same to me, people get caught up in all these definitions, “street art” “tag” “vandalism”.

Having said that, graffiti should not be in art galleries, this is really when its not graffiti anymore … the illegal side is the spice. Free for the public. Real graffiti with no rules or authority to abide by, just pure art that is a truly human gesture.

GJLD INK and Pencil on Paper09 (Custom)

Your work has a hell of a lot of geometry to it – we love it – where did this style emerge from, beyond graff? What is it with geometry and lines that you love the most?

The typical styles that were seen in the early 90’s graffiti of Australia, France, Germany and America are the basis of my graffiti culture. But I wanted to open myself and try to go towards new directions.

For my fine art, I am influenced by the romantic renaissance art of Italy and France from the 14th century that relied heavily on linear perspective and balance and thus geometry.

How about your use of colour? How important is colour in your work – most of the pieces we’ve seen have had a lot of vibrancy to them – is choosing a colour palette an innate thing, or do you put a lot of thought into it?

To be honest, I don’t care a lot of the time; I must be free when I paint, like I am on a trip … I paint what I want and when I want. I continue until the balance and other principals I spoke of earlier are right in my mind. After doing it many times, I have become better at getting the balance of colour right. It is just a matter of correctly using the principals or art.

As in Mathematics, we use quantity, structure, space, and change, to seek out patterns. Mathematics in Greek translates to “knowledge, study, and learning” I prefer to use paintings rather than equations to accomplish this.

GJLD acrylic and ink on canvas (Custom)

Can you tell us a bit about the show you have coming up at House Of Bricks later this month? What kind of work will you be bringing to it, and what do you hope to get out of it yourself?

Well, it was never my intention to be an “artist” who exhibits work at galleries. I never showed people my art in the past. It was really the only thing that I could have complete control over, without someone trying to interfere with it. I began to show some people, and the girls really took a liking to it, which motivated me haha.

More importantly, and seriously speaking, I was lost, and my art was the only thing that I could turn to that would calm me. My art allows me to work hard and avoid vice and idleness with guaranteed results. My time and energy when painting leaves no room for philosophical speculation that can often overwhelm me. I had doubts about exhibiting but it is important for me to finish what I start. The exhibition will be made up of acrylic and ink paintings and drawings on canvas, card and paper, as well as some original prints.

Is this your first show, or have you done a couple before? What kind of shows and events have you worked or exhibited at?

I am an amateur with nothing to lose, just getting started; this will be my first exhibition.

The works have been painted mainly between 2010 – to present, however there is also some from as early as 2004 that I thought I would include. There will be around 25 artworks displayed. As for events, I was invited to paint at Maitreya festival in Victoria 2012, where I met you – it was a good time (thanks to Lach).

GJLD BLKHORSE - ink on paper (Custom)

So, what will you be doing after the show? What other plans do you have to push your art in the coming years?

Who knows what I will be doing next, I don’t want to be labelled as such, I always need to spend time searching for new ideas and be creative. Perhaps the exhibition will open doors, and I will be able to collaborate with other artists for bigger projects involving film and music in the future. Peace to Dark Neggror and Zonk Vision!

As a conclusion some dedications:

Dedications to: Graffiti artists – WCA crew, Jumble (SDM), Renks (Melbourne) and MAC crew (Paris)

Other – DWS (homeboys), Deanne, Vittorio and Francesco, Kate Miller, Johanna Baudouin, also Alex Miller (Australian author), C.P Cavafy (Greek poet), Descartes (Search for truth by the light of nature) and Nietzsche – ZARATHUSTRA LIVES. – George Diamandis January 2013

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