Video – ELK Stencil Timelapse

Video – ELK Stencil Timelapse

Our mate ELK has been cutting up a whole heap of shit lately, ahead of some rad shows next year. Here is a really grand timelapse that shows you the process of how he does his incredible stencil work – time, effort, and a shitload of exacto blades a brilliant piece of art does make. Rad tune too with Dead centre by Omar Musa (prod. Joelistics) Check it out below!


Interview – Heesco – Incessant – 2015

Time is a constant. You can be assured, that no matter what happens within your life, no matter the trials and tribulations, loves and loses, that time will continue to march it’s way across your existence. I find myself contemplating time as I write this intro. It’s pretty hard to believe that it’s been five years since I last interviewed Heesco – it could have been yesterday. In some ways it feels like I’ve just met him at the Sweet Streets festival,  just posted an interview and just painted our first wall together down in Prahran. But, no, that was five fucking


Exhibition – Be Civilised – Kitt Bennett & Shawn Lu – Melbourne

The illustrative talents of two of Juddy Roller studios finest will be on display in later November, as Kitt Bennett and Shawn Lu ink out a storm of fantastic imagery. We’ve been following both these guys work for a while now, and we’ve loved every bit of it – great to see them teaming up together to bring out a show like this one! “Be Civilised is a collection of ink works on paper, by Juddy Roller’s own Kitt Bennett and Shawn Lu. The works are a documentation of the artists’ perceived representations of culture and the human experience that


Exhibition – Heesco – Incessant – Melbourne

Our good mate Heesco has always been one talented dude, from both illustration to his work out on the streets – however his upcoming solo show, Incessant, focuses purely on his painting, and on his move towards exploring the abstract side of things within his practice. Read on for the details of the opening this Friday down at Dark Horse Gallery in Melbourne! “This exhibition is about painting. ‘I don’t really know why I paint. I just want to paint everything, all the time. It’s become an obsession, my life, my profession, it defines me as a person to an


Exhibition & Preview – Screaming Hand 30th Anniversary Art Show – Melbourne

For the past thirty years, the Screaming Hand has been one of the most recognisable images in skateboarding history, and this week, following a successful launch at aMBUSH Gallery, the Screaming Hand 30th Anniversary exhibition, curated by Eddie Zammit from T-World, will be hitting the streets of Prahran with an utter fuckboatload of amazing adaptations of the iconic hand from both local and international artists! “In honour of Jim Phillips Sr. and the iconic Screaming Hand logo Sydney & Melbourne will be hosting an epic Art Show in tribute of an icon and 30 Years of the Screaming Hand – an unmistakable symbol of youth and skateboard


Exhibition – Arts Hole Presents REPEAT – Melbourne

Well, we’ve just spent the last week moving into our new digs, and are now all set up in our new studio. Funnily enough, it just so happens that the studio we’ve moved into, the awesome Arts Hole, is just about to do a group show! Arts Hole are no strangers to grand events (having put on the amazing Paterson Project last year), and for this group show they’ve assembled a whole slew of amazing artists from both within the studio, , as well as a bunch of friends and extended artsholian family. From painting, stencils, illustration and everything in


Magazine Launch – 6 Years Later – Issue #4 Power – Melbourne

One of our favourite magazines thats been running for a few years now is back! Six Years Later magazine is a full art expose that has been showcasing artists for quite some time now, and I’ve always loved their past editions. “6YL (a.k.a. Six Years Later) is a limited-edition periodical showcasing the art of creatives from around the world. Each issue is a visual exploration of our chosen theme. 6YL is an annual printed publication showcasing the work of painters, photographers, illustrators and all-round creatives from around the world. Each issue is a visual exploration of a certain concept or idea.

Exhibition – Phoenix – Kaff Eine – James Makin Gallery

See you guys here this Friday. “Phoenix: a beautiful mythical creature which rises from the ashes of destruction” From the ash and charcoal of Manila’s most impoverished dumpsite slums rises a striking exhibition by Kaff-eine, with friends Geloy Concepcion and Geric Cruz, featuring collaborations between Kaff-eine and Manila’s garbage-pickers and charcoal-makers. Kaff-eine combines her realist watercolour and charcoal portraits with the images and stories made on-site by the creative, resilient garbage-pickers and charcoal-makers from Baseco Compound and the Aroma Happyland slum. The collaborations were created with the charcoal made in these slums. These paintings are accompanied by Geric and Geloy’s

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Sunshines Top 10 – October 2015

Well, that was quick! With a week still left to go of the month, Dean Sunshine has taken some great shots of Melbourne street art this October, and he’s thrown us a whole slew of awesome photos from his adventures in snap-age. Check them all out below, there’s some grand shit right here! 1. ID crew – Kensington 2. Mayo – Fitzroy 3. Makatron – Collingwood 4. Senekt – Fitzroy 5. Felipe Pantone – Fitzroy 6. Deams – Cremorne 7. Sabeth – StKilda 8. Slicer – Preston 9. Be Free – Thornbury 10. Sofles – Melbourne CBD


Feature & Exhibition – Callum Preston – Bootleg To The Future

I remember the day I went and saw Back To The Future at the cinemas – vaguely, anyways, with popcorn in hand – and when I entered that movie cinema to see it for the first time, it blew my young mind. Back to the Future wasn’t just a “scifi movie”, it wasn’t just a time travel movie and  – it wasn’t too kitsch and clichéd (though, part of the fun of it is certainly that element), it was … well, it was Back To The Future, one of Michael J Fox’s most remarkable legacies, and a series of movies that changed history

Feature – Reclaim The Night, The Jill Meagher Tribute & Hosier Lane

Okay. So, you probably all know about the Jill Meagher tribute piece that was painted in Melbournes Hosier Lane last month  …


(image via StreetsmART)

Then, a few weeks later, some of you may have seen this … news … story on the Herald Sun ..

ScreenHunter_01 Nov. 15 23.20

The thing is, though, is that after the Jill Meagher tribute piece in Hosier Lane was painted over, the media (and many other media outlets) in all their “cant get news right” wisdom actually attributed a completely different piece as having painted over it.

“News” outlets such as the Herald Sun made a big song and dance about it, skerricked up some lame quote from someone who occasionally walks through the lane, as well as one from Robert Doyle, and made it out as if the piece being painted over was a terrible, heinous act by a bunch of vandals. Even worse, was that they didn’t even get onto the story until a week after the piece had actually initially been painted over  – by then, they had already missed the story. Instead they decided to publish an image that wasn’t the correct piece, and then attempted to vilify a group of artists because they had painted graffiti over … a piece of graffiti.

The real story, however, was that the wall had  initially been reclaimed by a bunch of awesome female artists paying both homage and respect to the “tribute” piece in the best way possible – by bringing attention to the plight of those affected by violence and sexual abuse. If anything was appropriate to replace that tribute to Jill Meagher, it was what these ladies did. Then, when you think it couldn’t get any worse, was that when the media outlets that reported on it were given the real story, they completely ignored it. It was no longer news to them, they’d all already magic’ed up their own sensationalist version of the truth and moved on to the next “news” cycle.

Imagine our surprise.

This story speaks for itself, directly from the artists who painted over the Jill Meagher tribute piece in Hosier lane two weeks ago. Unlike the Herald Suns, Channel 7, 3AW “news”, The Irish Times and The Suns (to name just a few) hugely incorrect version, this is what really happened down at Hosier Lane.

Please read on, and share it around – not just for the reason that it is the real story, but for fact that it is a wonderful act by a group of women who wanted to bring attention to the terrible actions of the darker side of humanity, and those who suffer because of them.



 You may have seen and read a lot of bullshit online and in print (and even via our most trusted form of media, the Channel 7 news,) about the shame-full act of vandalism that occurred over the RIP JILL mural in Hosier Lane.

For the record a group of five women reclaimed that wall on Friday 26th October at 5pm. Why? Because it was our right, and to be perfectly honest, no-one else had the courage to do it.

After the tragic death of Jill Meagher, a visiting graffiti tourist decided it would be a nice gesture to show his respect by painting his condolences on a world famous wall – which at the time was covered with some of the most technically amazing, and aesthetically beautiful graffiti that Melbourne has ever been fortunate enough to see.

The irony is that this simple act showed an absolute disrespect to the artists whom he went over, as well as to the local Melbourne graffiti community. The mainstream media took hold of the story and ran with it. The Melbourne City council even proposed to ‘protect’ it.

Meanwhile, I decided that something had to be done about it. How dare this mural remain in my city? How dare the general population of Melbourne glorify a victim of sexual violence by sensationalizing an illegal graffiti mural? I was really fucking angry. I reached out to my local network of female graffiti artists and proposed that we reclaim the space during the official Reclaim The Night march on the last Friday of October. We took it back as a protest against sexual violence on women and children, and we took it back so that beautiful ephemeral art could once again be created on that wall for all to see.

Since that Friday night, several artists have painted on the wall. Unfortunately some of those artists were blamed for vandalizing the RIP Jill mural. I contacted each and every one of those online and printed news article journalists to provide our story and explain the reasons behind the re-paint, but not one of them wanted to hear it. Mainstream media don’t want the truth, they want sensationalism.

You know what? Fuck them! We own the streets and we will paint whatever we like on them.

You’ve heard my side of the story, here’s what the other ladies had to say.



I wanted to paint Hosier Lane because it’s the graff community’s wall.

It’s nice to be able to relax and paint in the city sometimes before work and it’s awesome to check out new pieces. 20 metres of wall, taken away from us permanently, was just wrong – the fact it was just a stomper which covered some really burner pieces, is just disrespectful. It’s one less spot to paint and that RIP mural belonged on the lines really.

We left Jill’s name anyway, 1m of wall for a tribute is fine with me.

I’m annoyed at the media for publishing an incorrect story. The family is probably feeling worse now because they’re being told that the stone placed where the body was found was removed and the tribute art was painted over. The media have done more damage than good (no surprises there). If they had the real story, they would have known the pieces covering the art was not only for Jill but for all women. It has also portrayed some graffiti artists as cold hearted – which simply isn’t the case. When the public and police saw us painting over the art and knew the reason, they were very understanding and supportive.



We all dream of a better world where violence and abuse is unheard of, unfortunately this is not the case. It happens on a daily basis to women of all shapes and age. Nearly two thirds (57%) of Australian women will experience assault in some form in their life time which develops long-term effects on all relationships and within the community. Quite clearly this is too much, this needs to be stopped. When I was invited to paint hosier lane on behalf of ‘Reclaim The Night’ I was wholeheartedly involved as this is an issue close to home. This was an opportunity to give me a voice and to use public space at night without fear, this should be an everyday right. We are all human and we all bleed red just because of gender, someone should not put restrictions on their lifestyle.

On the matter of painting over the RIP Jill mural, this was by no means any disrespect to her or her family, this was to raise awareness to the real and unfortunate attacks on women that occur on a daily basis. Traditionally Reclaim The Night is a march, however my interpretation is to say that we are never to blame for rape or violence. Those who commit the crimes are to be blamed, we demand the right to be able to live without fear and demand for an end to sexual violence so we can enjoy our freedom.



Reclaim the Night is a annual worldwide march by woman for woman. Victims of rape, mental or physical abuse and domestic violence need to stand tall together and demand our human rights as females, and to feel safe in our streets. Painting over this mural with female graffiti artists was in respect to what happened to Jill Meagher and all woman of all countries who have been sexually violated. This act of painting was to speak out to woman and girls that rape and violence is not on and needs to be stopped now.

When I was approached with this idea, I was honored to be able contribute and help raise awareness of ‘Reclaim the Night’  – what better place to spread the word and have the opportunity to speak to others passing by than Hosier Lane.

I hope a message was sent out to the public that what we did was not a sign of disrespect for painting over the mural, but simply a way of raising awareness to others in the community to speak out and help one another. Woman and young girls should absolutely feel safe walking Melbourne streets alone. We left the ‘Jill’ section of the wall out of respect to her and her family, and it is sad to see that the next artists to paint the wall went over this. I hope that more people will choose to join the annual marches and tell their friends about it. We need more woman standing up for our rights and to help stop Violence against Woman.



I wanted to keep drawing on the media coverage of this repulsive act, that women and children, even men, are being sexually violated by predators and unjustly victimised by persons of the law.

The bottom line is we should be safe in our streets, that’s our right no matter what age, sex, social status, mental state, attire or anything else the law can put in the mix that ‘forced’ predators to act in this way.

Reclaim your right, reclaim your night!


(Please click on the image above for a detailed view of the actual work that replaced the Jill Meagher Tribute Piece)

RESOURCES: — Women’s Information and Referral Exchange
Telephone Support: 1300 134 130 Mon to Fri, 9am to 5pm
Email: [email protected]
Visit Info Centre: Ground Level, 210 Lonsdale St, Melbourne – Centres Against Sexual Assault

CASA House
Address: Level 3  210 Lonsdale Street
Melbourne 3000
Phone: 9635 3600
Email: [email protected]

Ed. We’d like to say a big thankyou to Joske, Lilar, Maiden, Skies and Moisel for sending us through this story. We wish that the media had of actually paid attention to this, and we share your disgust at how the whole thing was handled by them – why invent the truth when the real story is so much more important?

We hope that your words find their way to all those who need to read them.

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  • poise

    awesome job guys…lets hope the media find this and feels like the dickheads that they are. poise xxx