Snapshots & Video – The Fresh Hood – Preston

Snapshots & Video – The Fresh Hood – Preston

There are a whole bunch of rad things going up around Preston these days, its turning into one of the cooler spots in Melbourne, to be honest. The Fresh Hood is no exception, taking an older building at the Preston markets and turning it into a cornucopia of cool shops and eateries, surrounded by some dope ass new artwork! Selected and curated out all by our man Dean Sunshine (with support from Loop, Crag of the Space Agency, Dulux Australia and Duke Style) this is an awesome new addition to the many gorgeous walls around Preston … check out the photos

Through The Lens – June 2016 – David Russell Photography

It may be cold in Melbourne right now but that hasn’t deterred artists like Smug who managed to smash out two amazing murals organised by Juddy Roller, one over three storeys depicting his grandparents. Roa was in town and didn’t disappoint with his show at Backwoods Gallery, featuring Australian wildlife painted on all manner of objects he collected while in Melbourne, all from hard rubbish found around Clifton Hill and surrounding suburbs. Adnate also had an exhibition at the Metro Gallery featuring his amazing works depicting members from the indigenous community, its great to see an artist use their skills

Video – Shida – Bombing HK & Seoul

Video – Shida – Bombing HK & Seoul

The man Shida went on a bit of a trip to Hong Kong and Seoul recently, and got a bunch of video of some of his exploits on the streets there – a nice little piece of a man doing what he loves, and doing it with his expressive style – Theres really something to be said about bombing with a brush(s)! Check out the video below ..

Snapshots – Wizards Lizards And Broads – Mark Bode’ – Backwoods Gallery

There are not many shows that captivate me the way Mark Bode did with “Wizards, Lizards & Broads, I suppose for me like so many we were heavily influenced by both Vaughn and Marks undeniably distinguishable characters. There was a time in the 80’s where in class it was all about Cheech Wizard, Puck and Junkwaffle, especially if you were into graffiti you will remember theses characters in some shape or form, I was also lucky enough to meet Mark Bode and his lovely wife personally at a going away dinner for Roa a few weeks back. Don’t miss the

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Sunshines Melbourne Street Art & Graffiti Top 10 – June 2016

Okay, is it really half way through the year already? I cant believe that 2016 is flying past so damned fast – it seems like it was just the new year! Half way into the year, we already have some cracking choices of top 10s from our man Dean Sunshine, and this month is absolutely no exception! His picks for June 2016 contains some of the coolest shit we’ve seen, and man, it just keeps on coming, month after month, year after year … Check out all the latest below, enjoy! 1. George Rose – South Melbourne 2. Mike Eleven –

Snapshots & Studio Visit – Julian Clavijo

David Russell and I caught up with Julian Clavijo on Sunday in his studio in Brunswick and we’re lucky enough to get an early insight and sneak peek into his body of work for his upcoming show – Patient Transition – Check out all the details for the show here. Over a few beers Julian told us about his origins in Columbia, his time spent at an artist residency in Dubai, as well as his journey into art in general, gallery art and Friday’s show. That’s a very short summary of what we discussed – Julian tells his stories with so

Adnate - Always Been Here - Metro Gallery - Armadale

Snapshots – Adnate – Always Been Here – Metro Gallery 

Last night David Russell and I journeyed over the river to Metro Gallery in Armadale to check out the opening of Matt Adnate‘s – Always Been Here. Like all of Matt’s openings at Metro last night was no exception. The Welcome to Country ceremony kicked off the show as the gallery packed full of people and Eucalyptus smoke wafted through the air. An excellent show with amazingly detailed works. A must see – make sure you get down to Metro ASAP and have a look! Thanks David Russell for the great photos.

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Snapshots – Tiny Writers – Goon Hugs – At The Dark Horse Experiment

Friday the 10th of June saw an amazing show by local artist Goonhugs at the Dark Horse Experiment, a prolific sticker and paste up artist, whose works literally cover everything, I love seeing a shopfront or bus shelter completely covered knowing that there are few thousand stickers on there. This was his first solo show and for this he allowed us a view into his miniature world of these amazingly detailed reproductions of abandoned building from around Melbourne, these were covered in tags mostly from Melbourne’s prolific graffiti scene. He managed to reproduce in such amazing detail, some of my

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ROA at Healesville Sanctuary

Whilst ROA was here in Melbourne, like last time, he spent much of his time and gained much of his inspiration at Healesville Sanctuary. For anyone not familiar with the sanctuary, Healesville Sanctuary is a not-for-profit conservation organisation dedicated to fighting wildlife extinction through breeding and recovery programs for threatened species and by working with visitors and supporters to reduce threats facing endangered wildlife. ROA spent several days at the Sanctuary, meeting and playing with all of the animals, this intimate experience gave him the inspiration for the show, which was complimented by bones and other weird artifacts on loan from

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Interview – Goodie

For many years, creatives from all across Australia have pulled up stumps, waved tearful goodbye to their home towns and headed south (or east) to seek their fortune amongst the streets and lanes of Melbourne. Since way back when, Australians with a creative bent have often looked towards the city as an artistic mecca, one to which they must make at least one pilgrimage to in their life. For many, it’s just a holiday, but for others it’s the Big Move. Some make it, some fake it, some find other paths or settle down into mundanity, and some, after having tried all

Interview – Mikaela Jane

When we think of something that has gone wild, or is wild, or exists in a wild state, our thoughts often travel back to those Sunday afternoons in front of David Attenborough, watching the beasts in their kingdoms via for supremacy in the ongoing cyclic battle between “eat or be eaten”.

Sometimes, when we wake up on that same Sunday, we’ll have a message from a prior evenings drinking partner exclaiming “fuck, your mate was a little wild last night” with all of its negative connotations; the wild of booze or rage filled action or that glimpse in the eye of someone not quite there nor connected to the reality surrounding them.

Then there is that other type of wild, of course, a deeper, more profound and elusive type  – the wilderness of the spirit. This is the unconscious, the personality, the passion, yearning and loving. the devout mission and the quest of individuality that so many espouse – this is the wild with gumption, the pizazz ridden wild that we artists and creatives thrive within.

When I think of my friend Mikaela, it’s that “wild pizazz” that comes to mind. Pint sized, inked, swaths of colour and a single minded aim to create imagery and make her mark. Not any kind of marks, mind you, but the smallest of kind, points of ink dispersed across a page, emulsified by proximity and calcified with determination. Shades promoted from blunt nibbed dots to fully formed imagery which encompasses the “wilderness of wildness” in all its various, synonymic beauty. A true wilderness, in all its glory, built from point upon point upon point, until even the slightest of detail becomes an integral part of its form.

These are the rock stars, the burnouts, the idols, the beasts and the burdened. This is an artist delving into her personality and her work, exploring the world before her and placing it where all eyes can see it.

So, with her first ever solo show, “The Wild” (obviously!) just around the corner, we decided to delve a little deeper  into the wild world of Mikaela Jane …

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So, tell us a bit about your younger years, and how you started out with this creative streak of yours?

I started drawing from a really early age probably about four or five. I remember when I started school, all I ever did in class was draw (usually Ninja turtles and Ren & Stimpy characters). My mother always encouraged us to express our creativity, and with her being a junior primary school teacher I had a vast array of art products always at my disposal. I was very shy until my teenage years, and drawing was my way of showing the world my personality.

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You’ve predominantly worked thus far as an illustrator – would you classify yourself as such? What draws you to illustration, and what other mediums do you aspire to master?

I guess I would refer to myself as an illustrator, yes.

I remember reading old copies of Alice In Wonderland and the Narnia series as a child and being drawn to the way that the illustrations really helped to further tell the stories and give a beautiful feel to each character, that they were able to convey so much without any colour, and so simply.

I would love to learn to paint, especially aerosol. I have dabbled in the past, but my can control was terrible, which I blamed on my small weak hands. I am blessed to be surrounded by many friends who are ridiculously talented with spray paint so one day maybe I will ask for some lessons. I also may branch into using colour at some point … who knows.

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Pointillism. What the hell. That would definitely drive me insane after so much of it – what is it about pointillism that you find an affinity with? Rhythm? Shade? Movement? Flow?

I think that I was originally drawn to pointillism due to my love of old fashioned style illustration as mentioned above, I also tried my hand at cross hatching but I didn’t enjoy doing it as much. When I started out I saw it as a “cheat way” of shading, as it meant I could just use the one pen, and not worry about grading.

Now that I’ve been doing it for quite a while, and become more intricate with the dots, I find it amazing how one little minuscule dot can completely change the look of someone’s face, or change the light of an image. I get into a rhythm and ‘zone’ when dotting away too, its become strangely relaxing now. I like the notion of creating light and shade with something that is so delicate.

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Can you tell us a bit about The Wild, your upcoming show at Egg Gallery? What will it entail, and will you be showing?

The Wild is my first ever solo show, before this I have only ever been a part of one group exhibition. Putting this show on was a huge step for me as it was me deciding to finally take my passion seriously, and try and push myself to the limit. I work best when I push myself out of my comfort zone, and The Wild is me doing just that – into the world of portraiture when in the past I focused mainly on anatomy and tattoo flash inspired work. It features 25 brand new works on paper, all black and white.

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What does that term mean for you – “wild” – in its natural state and its societal state, what are the commonalities that you find affinity for – and how would you refute the notion of “being wild” as being a clichéd idea, in a time when being wild seems par for the course?

My whole life I have never been classed as part of the norm, whether due to my appearance, my interests or my way of looking at the world. While back in my teenage years, this really brought me down and I had problems with conformity, I now see “being wild” as being an enormous compliment- that of being untamed, unaffected by what the majority tells you that you should be. There are so many instances these days in pop culture of manufactured ‘wildness’, or trying to be different, but it is all so transparent.

The real “Wild Ones” to me are those who accept their flaws yet don’t flaunt them, and don’t realize how beautiful their differences make them.

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We’re going to take a stab in the dark, and figure that even though you’re not really saying what who or what the portraits in the show are, and say that there is a good majority of musicians in your work – only because we know you ;) How have those idols of yours within music shaped your art?

I grew up in the punk and grunge scene back in Adelaide in the mid 90’s, and back then music was my world, it moulded me into who I am today.

Being somewhat of an outcast and a huge tomboy, I was drawn to those genres as they were ruled by fellow misfits – I felt like I had found my home in that crowd. I remember getting Dookie by Green Day on cassette for my 10th birthday, and if anyone remembers that artwork it is the most amazing and crude illustration, it had such a DIY feel to it. That sole piece of artwork resonated with me for some reason, and after that I found myself obsessing over cover art, the fonts the bands used, the controversial yet cheeky imagery bands like Green Day, Frenzal Rhomb and NOFX etc would use. My walls were covered in music posters and drawings I did of my favourite bands CD art.

I then started getting into skateboarding imagery too due to the many collaborations between the two fields, obsessing over artists like Ben Brown and Pushead, and wanting to one day be the female version. That then in turn led to my love of tattoo art, as tattooing pretty much comes hand in hand with the punk scene, which shows in my earlier work being a mix of flash and cheeky gore. The musicians I have focused on in the exhibition are either ones I personally admire for always being themselves, or those who are widely idolized for being pioneers within their own genres, whom I know will have touched someone else’s lives like my heroes did mine.

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The gauche and the grotesque – perception of these things is often determined by the viewer; how do you represent these aspects of your work in a positive light?

I think I try to do so with a cheeky attitude, yet the old punk aesthetic as well, keeping it simple.

I think that there’s a great juxtaposition between the delicate nature of pointillism and say, the subject matter of a severed hand. I also, in terms of portraiture, try and make the ‘ugly’ look beautiful, in the soft tones and shading, so that the viewer can see the subject in possibly a different light than before.

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As a first solo show, how have you found the entire process of putting it all together?  Has, at the end of the day, the work informed the show, or the show informed the work?

The whole process has been a huge learning curve for me, I had no idea just how much goes into putting a show on, especially when doing it all yourself. I have had a great help from one of my friends letting me use their studio space to prepare everything, if I didn’t have that I think I would’ve had to cancel it!
Its been a bit of both worlds really, while the general theme of the exhibition has remained the same since my original proposal, the direction has changed a lot along the way which has been exciting. Originally it was going to focus on Animals and mythical creatures, but then after experimenting with my style, I found an emotional connection with the final subject matter which I didn’t have before, and I think (and hope!) that will show in the work.

Its become my heart and soul, my little baby,  and while, right now, I’m a little overwhelmed, it’s already the best thing that I have ever done.

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So what are you going to do next? What kind of projects would you like to work on in the future, given time?

Coming up I am working on quite a few collaborations with various artist friends, on some Skateboard deck designs as well as with a couple T Shirt labels. I would love to continue working with apparel, as I have a huge passion for street wear, and would love to get to do some large scale work installation work too down the road and maybe even get involved with something like Secret Walls.

I want to try anything really, I’m all about pushing boundaries so who knows!!

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