Interview - ApeSeven - INVURT

Snapshots – The Light In Us – Isolde – Off The Kerb Gallery

Congratulations to Isolde on her first solo exhibition at the iconic Off The Kerb gallery in Collingwood, run by the ever busy and beautiful Shini. I would have to say the work of Isolde would definitely be some of my favourite paste ups I have seen on the streets of Melbourne, in her many art covered lanes. Isolde’s work always stood out, her powerful images amongst the rust and ruin of some grungy laneway, this is where her work shines. For those that couldn’t make it down to Off The Kerb, I managed to garb some photos while having my

Sunshines Top 10 Melbourne Graffiti & Street Art – February 2017

Well, by now you know the drill! After several years, each time we do one of Dean Sunshines Top 10s of Melbourne street art and graffiti, we see work that is even better and better hitting our streets. This time around, he’s pulled some fantastic pieces together for this one, and looking through it .. well, all I can say is that I really love Melbourne summers!! Check them all out below!! 1. Vexta + ELLE – Collingwood 2. Kaffeine – North melbourne 3. Lucy Lucy + Ola Volo – Fitzroy 4. Ling – Collingwood 5. Phibs – Fitzroy  6.

Snapshots – Make Your Self At Home – GOODIE – Juddy Roller

Congratulation to my good friend and all round beautiful soul “GOODIE”, as she put up her first solo show at Juddy Roller a few weeks back. I feel these works gave you a little insight in to the mind of the artist, you always take a risk when you expose yourself like this, I think she executed it well. It’s always refreshing to see what the artists come up with in the Juddy Roller space, especially when there is and has been so much talent pass through those doors. So for those that couldn’t make it to the show here

Through The Lens February 2017 – David Russell Photography

Welcome again to another look back at some of the amazing art by some very talented Melbourne artists, who consistently keep churning out some impressive works of art. Im always impressed at the constantly evolving styles especially by the graffiti community, forever pushing their craft to new heights. Melbourne also has a great line up of exhibitions usually every week there is something on, sometimes up to 3-4 shows in one night, with galleries like Backwoods, BSIDE, Juddy Roller and Off The Kerb just to name a few. Oh well guys until next month stay cool and get out and

Sunshines Top 10 Melbourne Graffiti & Street Art – January 2017

Well, its the new year, and it’s already February! How did that time pass so quickly? As always, we have another collection this month from the man himself, Dean Sunshine, of all the rad work he’s seen up on Melbournes walls in the past month. For a while bunch of cool shit, just check it out below – already looking forward to next months set! 1. SHIDA – Melbourne 2. DSCREET – Collingwood 3. CAPTAIN KRIS – Sunshine Lane, Brunswick 4. CARATOES & JARUS – Coburg 5. RONE – Coburg 6. MAYONAIZE – Fitzroy 7. VEXTA & ELLE – Melbourne

Through The Lens January 2017- David Russell Photography

Welcome to 2017 and my first Through The Lens post of the year, I thought what better than to start the year with a dope selection of  some of Melbourne’s finest graffiti. This year already looks to be an amazing year of street art and graffiti, I can’t wait to capture it with my lens and share it with the rest of the world. I already know of some pretty talented artists from around the globe who will be staining our streets with some pretty amazing aerosol art, you will just have to wait and see what is coming up

Sunshines Melbourne Street Art & Graffiti Top 10 – December 2016

… and we’re back! First post of the year, and what better way to start everything off than with Dean Sunshines picks of all that was rad and cool for the final month of last year, December! This is the 69th edition of Deans Top 10, and this one is just as great as all the rest – lots of talent on display, as we have come to expect every month from the man .. take a look below and check it out! 1. Lush – Sunshine Lane, Brunswick 2. Senekt – Sunshine Lane, Brunswick 3. Caper – Lanes End,

Through The Lens November 2016 – David Russell Photography

The year is almost over and here we are once again showing you just some of the dope art that went down in the month of November. My favourite piece would have to be Mayo’s addition to the floor at the old lyric theatre where Rone had his exhibition. I am a big fan of Mayo’s work seeing it on this scale was epic and had to be seen to really appreciate the way he executed it. There aren’t too many pics from November so I will make up for a bumper addition next month, so till then stay cool

Sunshines Melbourne Streetart & Graffiti Top 10 – November 2016

Well, here we are. After a tentative step into summer, its cold again here in Melbourne, but the laneways and walls are just as full of people painting as they ever are! Once again, Dean Sunshine was out and about, snapping his pics for all the best things he saw around our fair city over the month of November – and this time, I’ve actually seen some of these pieces since I got home a few weeks ago! Its December already now, and its hitting crazy time already, Im sure there is a lot more left to come for the remainder

Rone – Empty – Scann3D/VR

After seeing one of the most amazing shows of all time, Rone’s Empty, and knowing the space would soon disappear – I had to introduce Rone to some good friends of mine, the crew at Scann3D.  Using their super high end 360 scanning technology – we spent about 5 hours in the space after the show closed one night scanning the entire show – and after many hours of intense rendering the guys at Scann3D have created this 360 capture of the show.  This technology is like google maps on steroids and is a unique and powerful format to capture

Interview – ApeSeven

There is a curious thing happening in the world today, something vast and progressive, yet outside of the viewpoint of those who pay it little attention. We take it as given, we adapt to its changes and we feel its ubiquity without really understanding what is happening – because, for the most part, it is a juggernaut to which not only do we pay homage, but reverence; the deity of technology is overcoming mythos of old, replacing ancient beliefs with supplication to its all encompassing omniscience. This is the accelerando, the exponential change of technological progression, a bell curve of rapidity that is quickly outstripping our ability to understand all the changes as they occur.

This acceleration, however, is not unnoticed by all. Scientists from all fields, futurists such as Ray Kurzweil have written upon it and investigated it extensively, and an entire university has been created to track its development. One group of people, however, are at the forefront of pushing these developments into the minds of the human consciousness, and it is through the eyes of artists that these notions are being visually presented to the world at large. Some may shrug it off as merely being "sci-fi"; we call it an imperative gaze into the future of the human condition.

ApeSeven is a multidisciplinary artists whose work delves into areas associated with this rapid climb in technological ubiquity. His figures contain visages of flesh and steel, circuits and skin. ApeSeven presents these ideas with influences imbibed from graffiti, skate and hiphop culture. From found objects to aerosol, illustration and a veritable compilation of mix media talents, his work is that of a man looking forward into his own visionary world without leaving the context of the present.

Ideology, the scientific method, an affinity with traditional folkloric knowledge, as well as a reverence for the history of learning and progress, all play a role within ApeSevens work, the elements of which are all manifestly evident in the large, post-human figures found adorning the walls of the cities he visits.

We caught up with ApeSeven ahead of the end of his residency event at Sydneys DampSpace, where he has spent the last two or so months creating a wall piece that will shortly be unveiled. Read on

naturesfury2web (Large)

 
Right back at the beginning, how did you start out drawing and painting, and how did you get into the creative game?

I started drawing in primary school at first for all the kids in class as part of their creative writing works… haha, I was an illustrator at the age of 8! It wasn’t until my later years snowboarding in Canada that painting came along as a means to relaxing in the evenings. I had the privilege  of meeting a fellow snowboarder US west Coast artist "Klutch" in the early 2000’s he essentially was the first person to invite me to exhibit my works in Portland and San Francisco.

Skate culture, hip hop, science, technology … all all are fertile grounds for artists when it comes to formative years and their original influences – why do these things hold resonance with you, and what do you believe it is about some of these influences that finds them pervasive in a lot of the art being produced today?

First and foremost skating was my first passion and in hindsight it was a creative outlet, one which helped me to redefine what urban spaces
original purpose was. Things were no longer pathways, walls, steps but obstacles which needed to be manipulated and mastered.

Rap and the early can do attitude of the hip hop music scene resonated with me, here were guys with no formal music training and basic equipment getting to express their ideas … very inspirational!

Science and technology are one and the same, and I guess they represent my more rational side. Yet upon thinking about it more … the same "can do" attitude from early scientists, with their abilities to imagine, theorize and then prove concepts … the mind boggles … awesome.

Armadaweb (Large)

One thing we’re interested in, is that we saw your interests also revolve around science, technology, and folklore – one would think that out of the three, that folklore is pretty far from technology, and people automatically get an idea of old stories and fabled tales  – but there is already a culture of folkloric mythology around technology and science, which has become more apparent over the years; how do you interpret this via your work, and what do these juxtapositions of concepts garner within it?

I interpret  this modern notion by combining visually organic elements, currently being skeletal structures and infusing them with notions of perpetual technology. These infusions are both represented by realistically painted tech and also by graphically painted symbols and nomenclature .

What I hope to explore is the idea of the new world religion "science", its past present and essentially create a visual science fiction of possible futures.

Genesisweb (Large)

You did some pretty cool stuff on glass bottles, do you often create art using found objects? What’s the coolest/weirdest/most random thing you have ever used to create with?

I think the use of found objects come from skateboarding years the whole reuse, redefine  idea. I think the weirdest thing would be using my own saliva to mix with paints so that I would leave a genetic signature …

Your technique is really varied, stencils to aerosol, traditional to mixed media – we often ask the question "Why is it important to vary your style" but we’re also curious – do you think that this time spent across various mediums means that it can take longer to master each one? Or is it a more complimentary evolution?

Mixed media represents the stratification of ideas and concepts in my head; within individual works there are many fulcrums of ideology and memory.

I guess  a thorough understanding of light is important whether you are painting or drawing. I don’t think of different media as complete
different tools and yes as you have suggested complimentary and
supplementary.

I think it is important to explore various techniques, from the point of view that it keeps you learning – hence keeping your thought processes fresh. I personally believe that you owe your existence/gifts to learning…

deadchevalier2web (Large)

Tell us a bit more about your aerosol work – how does this evolve out from the work you do with drawing and on canvases, and what techniques, if any, will you use both in the context of the piece zas well as in techniques, that differ between the two?

I think the evolution comes from an adaptation to paint works in public spaces quickly! The main ramifications being that I bring the aerosol component back to the studio as a mixed media tool.

totemweb (Large)

You’ve been named to be part of Secret Walls in Sydney this year; there’s a big buzz about both the Melbourne and Sydney competitions – what do you think is the best thing about the Secret Wars concept? 

If you look back at art history , many artists strive to achieve an efficient economy to their works. To put it another way "how can I best express what I want to say in the simplest way ???"  … I think Secret Walls is a modern perversion of this … and hence extremely challenging.

What do you feel are some of the most important aspects you’ll keep in mind whilst you’re up there battling it out, and what are some of the things you are going to keep in mind whilst you’re battling it out?

Technique, technique, technique … how am I going to push and pull
objects, ideas, in a quick ,efficient manner? As far as I am concerned
there is no crowd or people or third person observational world, just
an obstacle that needs to be overcome.

KLANinstall1web (Large)

Tell us about some of the work you’ve been doing in residency at Damp Space? How did you get involved with the guys there?

I live about five blocks away from Damp. Matt @ Damp simply contacted me, he had seen some of my prior works and wanted for me to have an exhibition – I suggested a direction away from your stock standard gallery show.

Damp space was essentially about giving my self time to work on one work, a mural titled "Former Glory". It is essentially an allegory of humankind’s evolutionary path and its effects on the other  species here on the planet.

What do you have planned for the rest of 2012 and beyond? What directions would you like to go in, and what as yet unrealized projects will you explore?

Yes , yes there is an exhibition coming up later in the year touring Sydney and Melbourne with another artist the curious beasts Kaitlin Beckett. I am just focusing on producing works at the moment – Ideologically the show is aligned to what I am currently working on @ Damp .

The main plan I have for this year is to do the Dobell @ AGNSW, and hence spend 3-4 months on one enormous drawing.

Also this year the concept of true collaboration has popped up, not simply painting stuff side by side with another artist, but engaging with them in a way that produces a third, different work. Currently is a slow process, but some opportunities have arisen …

Check out ApeSevens website for more info on the artist!

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