Exhibition – Bitetime – Ian Mutch – Just Another Project Space

Celebrating the release of a brand new ‘superzine’, “Bitetime” is a selection of artworks, drawings, random travels and experiences, by Ian Mutch. The exhibition explores beauty through nature and narrative, capturing snippets of the artist’s life. From his childhood in Africa, travels through Asia and Japan, to the surrounds of his coastal studio in south-west Australia, these artworks immerse the viewer into a detailed view on the world. “Bitetime” is both an exhibition and a mini journal – a limited edition art booklet, neatly packaged with a build-yourself bitetime character and vinyl sticker. Ian Mutch is no stranger to print.

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Sunshines Top 10 – August 2015

August has almost come to an end, and it has been crammed with so much great work across Melbourne these past few weeks! From Brunswick to Richmond, the winter hasnt stopped our local creatives hitting the walls and throwing up some colour. Check out all the rad pieces that have been seen around the city by Dean Sunshine, as he brings us his latest Top 10 of all that is good and fine in Melbourne street art and graffiti!! 1. Rone + Mayo – Brunswick 2. Slicer – Richmond 3. Senekt + Swel2 – Brunswick 4. DVATE – St.Kilda 5.

Exhibition – INTERSECTION – JOHN ASLANIDIS & MAYONAIZE – Juddy Roller

INTERSECTION JOHN ASLANIDIS & MAYONAIZE Intersection is a collaborative exhibition between John Aslanidis and Mayonaize. Aslanidis’ work explores a sensorary dimension, which exists between sound and vision, where as graffiti has been a major influence on Mayonaize’s eclectic oeuvre. The contrasting approaches result in unique images that merge to become a fusion of sonic vibrations and calligraphic improvised text derived from graffiti. ABOUT JOHN ASLANIDIS John Aslanidis has exhibited throughout Australia and Internationally for over 20 years. His work is currently represented by galleries in Australia, New York and Berlin. He has worked extensively in collaboration with composers to install

Snapshots – Momentarium – Christopher Hancock – Off The Kerb

For those that couldn’t make it to Christopher Hancock’s show Momentarium at Off The Kerb gallery, here are a bunch of photos I took before the show went up.  

Exhibition – Apocalypse – Jonathan Guthmann – Backwoods Gallery

This body of work, simply but appropriately titled “Apocalypse” consists of a series of images based on the last book of the Bible: Revelation. This late first century visionary text purports to describe a series of prophetic visions delivered to an imprisoned Christian apostle, who reveals himself in the text as “John”. The visions contain some of the most vivid, powerful and at times disturbing images in our literary heritage. Guthmann, himself a student of the critical study of religion, is currently working on a written thesis which evaluates the cultural and literary background of the text of the Apocalypse,

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Exhibition – Misanthrope – ADi – Shane Sterry – Lazer Fist – Melbourne

Heres a nice one – a couple of my favourite Melbourne artists are getting together this week to put on a rad new show down at Collingwoods Port Jackson Press! “Three (Lazer Fist, Shane Sterry, ADi), Melbourne street and gallery based artists bring together a body of work which investigates the dilemma each faces of “misanthropy” with each artists work examining ideas of self, environment and culture, exploring the impact the outer world has on and in their private practices. Unhinged, opinionated and relevant this body of work will explore each artists “misanthropic” physch with an contemporary print and street

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Exhibition & Event – Spilt Milk Magazine #2 Launch Party – Sydney

The first issue of Spilt Milk was, from all accounts (As, damnit, I’m out of the country, not in Sydney and havnt been able to get a hold of it yet), a grand affair, featuring a whole swag of mad art and tales of the artists who created it. If you’ve missed it .. “Spilt Milk Magazine was launched in June 2015, Our First issue printed in 1000 copies to be distributed for FREE throughout Sydney, Australia. The project started with the idea to create the Art’s and Culture Magazine that WE wanted to read, filled with all the fantastic creations the people we

Carbon X – Writers’ Bench – Melbourne

Carbon Festival has without a doubt been one of Team Invurt’s favourite events over the last few years – showcasing some of the world’s most successful creatives at the top of their game. Each year we have been so impressed with the line up and the management of the event, so we are super excied to hear Carbon is back in 2015. Invurt has attended and covered every Carbon event since it’s inception with a live blog and photo coverage of each event. There are soooo many great memories from the last few years; including meeting some amazing artists and people,

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Sunshines Top 10 – July 2015

Ahh July, in Melbourne – a damn cold one, I hear – I wouldn’t know, as Im in Singapore basking (read, constantly sweating in) the warmth of the tropics. If I didn’t see these kinds of rad photos from Dean Sunshine (and all of Dave Russells!), I wouldn’t have  the chance to really get to see a lot of the amazing work that is going up in the ‘burn this winter!! So, here it is – Deans latest top 10 from aroubd the traps in July – hope you enjoy his selection this month, I damn well did! 1. Be

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Exhibition – SKL0 – LIMPEH Show – Singapore

In 2012 she got notoriety for her stickers around the streets of Singapore and became known as “The Sticker Lady” by the mainstream media – a name she does not like. Her stickers featured anecdotes of daily Singaporean life in Singlish and also the image of the late Mr Lee Kuan Yew, founding father of modern Singapore. Since then SKLO/ Sam Lo has come a long way. SKLO has since been featured in numerous exhibitions and galleries, participated in giving workshops and talks to the public as well as traveling overseas to paint the world. The LIMPEH Show “is a

Interview – ApeSeven

There is a curious thing happening in the world today, something vast and progressive, yet outside of the viewpoint of those who pay it little attention. We take it as given, we adapt to its changes and we feel its ubiquity without really understanding what is happening – because, for the most part, it is a juggernaut to which not only do we pay homage, but reverence; the deity of technology is overcoming mythos of old, replacing ancient beliefs with supplication to its all encompassing omniscience. This is the accelerando, the exponential change of technological progression, a bell curve of rapidity that is quickly outstripping our ability to understand all the changes as they occur.

This acceleration, however, is not unnoticed by all. Scientists from all fields, futurists such as Ray Kurzweil have written upon it and investigated it extensively, and an entire university has been created to track its development. One group of people, however, are at the forefront of pushing these developments into the minds of the human consciousness, and it is through the eyes of artists that these notions are being visually presented to the world at large. Some may shrug it off as merely being "sci-fi"; we call it an imperative gaze into the future of the human condition.

ApeSeven is a multidisciplinary artists whose work delves into areas associated with this rapid climb in technological ubiquity. His figures contain visages of flesh and steel, circuits and skin. ApeSeven presents these ideas with influences imbibed from graffiti, skate and hiphop culture. From found objects to aerosol, illustration and a veritable compilation of mix media talents, his work is that of a man looking forward into his own visionary world without leaving the context of the present.

Ideology, the scientific method, an affinity with traditional folkloric knowledge, as well as a reverence for the history of learning and progress, all play a role within ApeSevens work, the elements of which are all manifestly evident in the large, post-human figures found adorning the walls of the cities he visits.

We caught up with ApeSeven ahead of the end of his residency event at Sydneys DampSpace, where he has spent the last two or so months creating a wall piece that will shortly be unveiled. Read on

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Right back at the beginning, how did you start out drawing and painting, and how did you get into the creative game?

I started drawing in primary school at first for all the kids in class as part of their creative writing works… haha, I was an illustrator at the age of 8! It wasn’t until my later years snowboarding in Canada that painting came along as a means to relaxing in the evenings. I had the privilege  of meeting a fellow snowboarder US west Coast artist "Klutch" in the early 2000’s he essentially was the first person to invite me to exhibit my works in Portland and San Francisco.

Skate culture, hip hop, science, technology … all all are fertile grounds for artists when it comes to formative years and their original influences – why do these things hold resonance with you, and what do you believe it is about some of these influences that finds them pervasive in a lot of the art being produced today?

First and foremost skating was my first passion and in hindsight it was a creative outlet, one which helped me to redefine what urban spaces
original purpose was. Things were no longer pathways, walls, steps but obstacles which needed to be manipulated and mastered.

Rap and the early can do attitude of the hip hop music scene resonated with me, here were guys with no formal music training and basic equipment getting to express their ideas … very inspirational!

Science and technology are one and the same, and I guess they represent my more rational side. Yet upon thinking about it more … the same "can do" attitude from early scientists, with their abilities to imagine, theorize and then prove concepts … the mind boggles … awesome.

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One thing we’re interested in, is that we saw your interests also revolve around science, technology, and folklore – one would think that out of the three, that folklore is pretty far from technology, and people automatically get an idea of old stories and fabled tales  – but there is already a culture of folkloric mythology around technology and science, which has become more apparent over the years; how do you interpret this via your work, and what do these juxtapositions of concepts garner within it?

I interpret  this modern notion by combining visually organic elements, currently being skeletal structures and infusing them with notions of perpetual technology. These infusions are both represented by realistically painted tech and also by graphically painted symbols and nomenclature .

What I hope to explore is the idea of the new world religion "science", its past present and essentially create a visual science fiction of possible futures.

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You did some pretty cool stuff on glass bottles, do you often create art using found objects? What’s the coolest/weirdest/most random thing you have ever used to create with?

I think the use of found objects come from skateboarding years the whole reuse, redefine  idea. I think the weirdest thing would be using my own saliva to mix with paints so that I would leave a genetic signature …

Your technique is really varied, stencils to aerosol, traditional to mixed media – we often ask the question "Why is it important to vary your style" but we’re also curious – do you think that this time spent across various mediums means that it can take longer to master each one? Or is it a more complimentary evolution?

Mixed media represents the stratification of ideas and concepts in my head; within individual works there are many fulcrums of ideology and memory.

I guess  a thorough understanding of light is important whether you are painting or drawing. I don’t think of different media as complete
different tools and yes as you have suggested complimentary and
supplementary.

I think it is important to explore various techniques, from the point of view that it keeps you learning – hence keeping your thought processes fresh. I personally believe that you owe your existence/gifts to learning…

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Tell us a bit more about your aerosol work – how does this evolve out from the work you do with drawing and on canvases, and what techniques, if any, will you use both in the context of the piece zas well as in techniques, that differ between the two?

I think the evolution comes from an adaptation to paint works in public spaces quickly! The main ramifications being that I bring the aerosol component back to the studio as a mixed media tool.

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You’ve been named to be part of Secret Walls in Sydney this year; there’s a big buzz about both the Melbourne and Sydney competitions – what do you think is the best thing about the Secret Wars concept? 

If you look back at art history , many artists strive to achieve an efficient economy to their works. To put it another way "how can I best express what I want to say in the simplest way ???"  … I think Secret Walls is a modern perversion of this … and hence extremely challenging.

What do you feel are some of the most important aspects you’ll keep in mind whilst you’re up there battling it out, and what are some of the things you are going to keep in mind whilst you’re battling it out?

Technique, technique, technique … how am I going to push and pull
objects, ideas, in a quick ,efficient manner? As far as I am concerned
there is no crowd or people or third person observational world, just
an obstacle that needs to be overcome.

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Tell us about some of the work you’ve been doing in residency at Damp Space? How did you get involved with the guys there?

I live about five blocks away from Damp. Matt @ Damp simply contacted me, he had seen some of my prior works and wanted for me to have an exhibition – I suggested a direction away from your stock standard gallery show.

Damp space was essentially about giving my self time to work on one work, a mural titled "Former Glory". It is essentially an allegory of humankind’s evolutionary path and its effects on the other  species here on the planet.

What do you have planned for the rest of 2012 and beyond? What directions would you like to go in, and what as yet unrealized projects will you explore?

Yes , yes there is an exhibition coming up later in the year touring Sydney and Melbourne with another artist the curious beasts Kaitlin Beckett. I am just focusing on producing works at the moment – Ideologically the show is aligned to what I am currently working on @ Damp .

The main plan I have for this year is to do the Dobell @ AGNSW, and hence spend 3-4 months on one enormous drawing.

Also this year the concept of true collaboration has popped up, not simply painting stuff side by side with another artist, but engaging with them in a way that produces a third, different work. Currently is a slow process, but some opportunities have arisen …

Check out ApeSevens website for more info on the artist!

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