Interview – Nicole Tattersall - INVURT

Sunshines Top 10 Melbourne Streetart & Graffiti – August 2017

Oh shit. Okay, this is completely and utterly my ownfault that this is so late – Ive been so busy getting ready to go and launch Irikanji over at Taipei Toy Festival that so much has slipped on the blog lately! Busy as he always is  these days, Dean Sunshine though, didnt forget! He’s given us such a great bunch of pics this month as well, and I’m pretty stoked to see his selection!!! Check them all out below! 1. Makatron + Itch – brunswick 2. Jack Douglas – Sunshine Lane, Brunswick 3. AWES – Brunswick 4. Bailer + Ling – Collingwood

Sunshines Top 10 Melbourne Street Art & Graffiti – July 2017

Another month rolls by, and I dont know about you but the cold weather lately has been really making me wish for summer to come as soon as it can! The cold doesnt stop the painting though, and this time around Dean Sunshine has ten great shots of some of the cool shit that has been sprayed and smashed up on the walls of Melbourne this month! Check them all out below, and enjoy!! 1. ELK – stkilda 2. SAGE – Brunswick 3. FACTER – Windsor 4. KID SILK + PUTOS Hosier Lane 5. CELOUT – CBD, Melbourne 6. RONE

Sunshines Melbourne Graffiti & Street Art Top 10 – June 2017

Again and again, every month Mr Dean Sunshine brings us all the cool shit that has happened on the walls of our fair city. This month brings a whole slew of cool stuff, from Makatron to Dosey, Scale and Porn and everything else thats grand in this lineup of works! Check them all out below, we’ll have more for you next month, of course! 1. Julian Clavijo – Brunswick 2. Makatron – South Yarra 3. Deams – Clifton Hill 4. Senekt – Clifton Hill 5. Porn – Fitzroy  6. Al Stark – Melbourne 7. Dosey + Sugar – Sunshine lane,

Snapshots – OBEY – Shepard Fairey – Vivid – Sydney

Our man Dean Sunshine was up in Sydney last week to cehck out Vivid Sydney – specifically, he was taking a bit of time checking out the Shepherd Fairey exhibition, Printed Matters, and mural that he was painting as a part of the event. This was a bit of the blurb from the show: “Iconic American artist Shepard Fairey blurs the boundaries of art and design. His unique style is instantly recognised in exhibitions and walls around the world. His body of work includes the OBEY GIANT art project, the Barak Obama HOPE campaign, and this year’s ubiquitous ‘We The

Sunshines Top 10 Melbourne Street Art & Graffiti – May 2017

Winter is here, but that has not stopped the paint from going up on the walls. Braving the chilling conditions, our intrepid Dean Sunshine has, once again, sought out all his favourite pieces that have been painted on the streets of Melbourne! Theres a mighty fine selection this month, so check them all out below! 1. ELLE – St.Kilda 2. HA HA – Brunswick 3. LOV3 – Collingwood  4. Resio – Clifton Hill 5. Be Free – Northcote  6. Crisp – Hosier Lane, Melbourne  7. Heesco – Windsor 8. Steve Cross – Melbourne  9. JME NACK SICK BAFLE – Clifton Hill 10.

VR Snapshots – Immersive Media Lounge – State Library of Victoria

A few weeks ago Invurt was involved in creating the Immersive Media Lounge at Melbourne Knowledge Week 2017, hosted at the State Library of Victoria. The event was an awesome success with hundreds of people coming through the doors across the week, and some very cool artwork being created. I was pretty impressed with what the artists came up with (Senekt, Facter, Conrad Bizjak and RASHEE).  Invurt and Phoria had the HTC Vive rocking Google Tilt Brush against a Green screen – Hollywood Styles, resulting in  a mixed reality display combining what the artist was doing against the world they

Video – Wall To Wall Festival 2017 – Benalla

Another Wall To Wall has been and gone, but they’re got the video out, and it looks totally rad! “The Wall to Wall Festival is the largest regional street art festival in Australia. And also one of the most innovative community development initiatives on a national level. This year it hosted 35 internationally acclaimed artists from Australia and around the world, and attracted thousands of curious participants and observers from near and far. It’s changing the face of Benalla, one wall at a time. And changing a whole community’s identity, while it’s at it. ” Man, it’d be great to

Sunshines Top 10 Melbourne Street Art and Graffiti – April 2017

Okay, here we go yet again (and again, can you believe this is No. 73? Jeezus) with Dean Sunshines picks for all the cool shit he saw around our city this month, and its a pretty nice colleciton indeed with everything from Lush and Dvate, to Love and relative newcomer Welin (who keeps getting up all over the place).   Check out all the rad images below if you know whats grand!     1. Lucy Lucy – Preston 2. Frosk, Facter, Keomatch, – Richmond  3. Ling – Preston 4. Lush – Brunswick 5. Awes – Melbourne  6. Arcy –

Sunshines Top 10 Melbourne Street Art & Graffiiti – March 2017

Well, we’re really late on this one, and my apologies for that, its been a busy month! Once again, we have Dean Sunshine providing us with monthly pick of all the great and grand work that has gone up around the walls of Melbourne, and this month is no exception. Always nice to see familiar names, but even better ot see some newer ones that have started to pop up – we’re especially loving the work of Julian Clavijio and Welin in recent months. Check it all out below! 1. Shida – Sunshine Lane, Brunswick 2. Stormie Mills – Prahran

Through The Lens March 2017 – David Russell Photography

March has passed by leaving some pretty fresh art on the streets of Melbourne once again, the standout for me would definitely be the work of Rone in the now demolished Fairfield paper mills. The big Sinch tag rates as one of my favourites as well go big or go home as they say, also see some new works by Heesco, Choq,  Jason Parkers lovely portrait of Juddy Roller artist Goodie at Off The Kerb Gallery. Stay tuned for next month as Im going to the Benalla Street art festival over three days, this looks to be the biggest one

Interview – Nicole Tattersall

Nicole Tattersall is a conscientious, intelligent artist, and so it is that for each showing of her work, she seemingly raises the bar just that little further  in terms of both style and content.

With her informative, regular and entertaining blog, Nicole also expertly wields an rare talent for communication, possibly a by product of her event management background and her curatorial experience – however it is her visual work, of course, that shines above all else, allowing her to project conscientious themes with a subtle degree of beauty.

We were very happy to get to speak with Nicole in the lead-up to the opening of her show Patchworked, at the At Large Gallery in Northcote, and to ask her about the themes of the show, as well as differences in direction that shes exploring …


Handle WithCare_WSPA

Handle With Care

Your early work involved stencils, surfboards and a lot of illustration work – but what else was there in those formative years of putting your work out there that also influenced the direction you wanted to take your work?

My early works go back even further than stencils, and as far back as 2004 they were abstract backgrounds with outlines of figures, mainly of the surfing and beach lifestyle. I was trying out different mediums and techniques. Those were works I had displayed at Phillip Island and Leongatha. Using stenciling as a technique came about when I wanted to start to customise my own surfboards in 2005, and in 2006 I did some work with Artsticks 2, at the Surfing World Museum in Torquay.

I was also exposed to a large variety of applications for stenciling when I visited the Melbourne Stencil Festival in 2006 at Rose St. So in 2007 I applied for the stencil festival at J-Studios – and was rejected. I found out years latter that it was because the photos were crap. Had I of been accepted, things would of worked out different – for the better? Maybe not. It wasn’t really until late 2007 that I was picked up by 696 (which is no longer) , and that got the ball rolling – from there I just started doing more and more in Melbourne and Sydney. I still have works in Leongatha, various places on Phillip Island and at Torquay.

Starting off small and taking things a they came – well, I can’t say it’s directly influenced the direction my works. It has, however, made me not shy away from the thought of having a work displayed in a curry shop!

Your upcoming show, Patchworked, will delve into techniques and works influences by bygone eras, as well as a recent trip to Germany – how have these two items in particular, contributed towards your inspirational output?

My works for this show features patchworked styled canvases – animals drawn to look like stuff toys, and children using their imagination to create things and to explore their world – things common before there were computers and TVs. Un-intentionally, my recent trip to Europe made me look at things a little differently, and it’s hard to pin point exactly the things that have changed – but some of my works are just a little more deeper in their content, and more developed in their style.

Can you tell us a little more about your involvement with WSPA and how you have utilised your work towards the advocation of animal rights issues?

Animals and creatures are always something that I have enjoyed being around and drawing. It was natural for me that when I created the series based on animals being childhood memories that I started by donating a percentage to World Society for the Protection of Animals of the 9 small canvases I painted. I supported their mission and found them to be a good fit to what I personally would like to see being achieved in the way of animal rights and preservation.
In 2009 I was approached by WSPA to create some illustrations based on their campaign for the banning of the live export of animals now the Huamane Chain. This was an offer I could not refuse, the opportunity to create works for a campaign that when I watch the footage on brings tears flooding from my eyes.

These illustrations will be in my show with all profits being donated back to WSPA to aid them in continuing there mission.

For information on the Humane Chain visit www.humanechain.org

In terms of nature vs the urban environments, at first glance the two couldn’t be further from each other, yet you are able to utilise both influences in a seamless fashion in your work – what techniques or thought processes go into the meshing of such disparate themes ?

“I love the surf culture of San Diego” – they have this weird mix of surfing lifestyle crossed with punk rock and biker style, and I love it! How it works, well, I don’t really know, but it does. I have no real process or technique to my influences, it’s what I enjoy and it’s just a part of who I am.

I’m just being honest with what I enjoy, and what inspires me.

NicoleTattersall_Surfboards Surfboards

You’ve said on your blog that you’ve “not gone into an exhibition of this scale before feeling this relaxed” – is this due to experience, subject matter, or is it just a case of right time, right place, right attitude?

A huge part of it is to with the medium, stencils take a while to cut and to go into a show of even this scale working with just illustrations has been a huge relief to me. Prior to “Split Personalities” I would get home from work and be cutting stencils until all hours. It’s a misconception that people have about stencils, sure the time it takes to spray isn’t very long and it is a form of printing, but to draw out and cut a proper stencil can take a while. For “Patchworked” not having that component of the process has made things more relaxing for me.

Experience has also played it’s part along with the fact that it’s at At Large, those guys make it so easy and seamless.

Given a choice in the matter, what kind of conversations would you like to see engendered by your works?

As I have a selection of works that focus of different ideas it’s hard to say, though in relation to the works I have done for WSPA I would be stoaked if just 1 person who came along to the exhibition talked about what the illustrations made them feel and that they then take action to tell others about the campaign to ban the live export of animals.

You’ve also curated several exhibitions over the past few years, can you tell us a bit more about those shows and your involvement with them?

I have studied Events Management and have worked in various aspects of the events, music and entertainment industry all the skills that have learnt through my time in those roles I’ve been able to apply to curating and organising a selection of group exhibitions and art events; Random Collective 1 & 2, Art On Your Sleeve, Street Art For Ashes, Melbourne Curvy 6 book launch at Magnation and Split Personalities, a duo show I did with fellow artist Megan Dell. The key to putting on a good event is to be organised,  to have a plan “B” and carry around a role of ‘gaffa tape – that stuff fixes almost anything.

I enjoy being able to use my skills to put on exhibitions and events that allow others to showcase their work – or to help a cause that they may not of been able to do so in a financial capacity.

Just a little more on that – can you tell us a bit more about Curvy? Its such a great book-zine, and has highlighted so many amazing women working in the arts – can you go into a little more detail on your involvement with them?

CURVY first launched in Sydney Australia in 2004, it continues to be an international favorite amongst lovers of art and supporters of female artists. The annual CURVY book and exhibition series presents a selection of the most exciting female graphic artists and illustrators in the world today. For the up and coming edition #7 there were over 2,300 artist who submitted and of that 120 established and underground female artists are featured in the book  from design capitals including Paris, London, LA, New York, Berlin, Rome, Tokyo, Melbourne and Sydney.

I first applied in 2008 to get into issue #5 but was knocked back. On my second attempt was selected to be in edition #6 (2009) with “My Five Friends” and had then applied again to be selected for the up and coming issue #7 (2010) which I to was chosen for with “Indian Muntjac Connection”.

For the launch of issue 7, I had works displayed at the Sydney launch, and I curated, and featured, in the Melbourne launch at Magnation. CURVY 8 will be launched in Sydney on the 18 November, and I’m waiting on details if there will be Melbourne launch.

CURVY is a great experience and is something that I hope all female artists make the effort to apply for, though as there are only so many spots available in the book, not to get too heart-broken if they don’t get in. Compared to many other submission based art activities, this one doesn’t cost anything to enter, and they do have a very extreme number of submissions compared to those who do get selected. If you do get selected ensure you have a celebratory dance around the house!

You have a great blog, with a wealth of information – and you’re also very forthcoming in your advice and sharing of techniques with your readers (I particularly loved your post with framing suggestions) – what part do you believe blogs and internet media, and sharing of this kind of stuff, plays in an artists life these days – especially in the lead up to a show?

For me, sharing of information or links to information I find helpful, isn’t part of the lead up to my show, it’s something that I do on a regular basis. I get asked quite often for advice and rather than sharing it just with the individual who asked, I want to share it with these who visit my blog. They too might also be thinking the same question or be looking for the same advice.

In the lead up to an exhibition the internet allows for people to come on the journey with you as you prepare. Whether it be through posts about going to the framer, sneak peaks at the works to be in the show, works in progress. It give people the option to see behind the scenes a bit and take some knowledge away with them.

Picture 3Worn Rabbit

What do you have planned after your show, and in what direction are you wanting to take your work from here on out?

After “Patchwoked”, my first point of call is to go for a surf!

Art wise I’ll be at the North Melbourne Market in October and November, this is the only market I do and the crew from Thread Den are so very supportive of my work. I’ll be apart of the Small Art Show at For Walls in November which is raising funds for the organisation Room to Read.

CURVY is having it’s launch on 18th of November in Sydney – I’m still waiting to see if they’re doing one in Melbourne too. Early in 2011 is the This Little Tea Pot exhibition in Sydney, which is the follow up to This Little Piggy. January I’ll be doing a show at Mushroom Crafts, in Leongatha, and in May I plan to do another duo exhibition with Megan Dell at For Walls.

There are also some other projects I have on the burner, but mum’s the word on those …

Nicole’s solo exhibition Patchworked opens this Friday the 17th of September at At Large gallery. Check out her blog for more of her work, words and details on the show.

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